tag:blogger.com,1999:blog-62490306151930013542024-03-05T14:04:47.086+00:00Agent 160 Theatre CompanyUpdates from Agent 160 Theatre Company. www.agent160theatre.co.uk.Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.comBlogger63125tag:blogger.com,1999:blog-6249030615193001354.post-87707235004137947292014-10-22T15:07:00.004+01:002014-10-22T15:07:32.324+01:00Fun Palace PicturesThe pictures are in! Below is a sample of shots from our Fun Palace. We thought you might like to take a peek. Photography by Polly Thomas at Wales Millennium Centre, Cardiff.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw5tqfbQT3EjoaAo8CCVcbPuVJeu1FwPyMw84Psne4D13mLOIaJZ0Ey7XmmFp6Px9HILsjdtmvMdqf3iRh38r01RvrELX9OpNd1SJb9pRjxV-4v0musLbIFde6PtYT0Xg1SAXWgndBSIQj/s1600/Caryl+Morgan+in+Abigail+Docherty's%2BJohn%2BGrace.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw5tqfbQT3EjoaAo8CCVcbPuVJeu1FwPyMw84Psne4D13mLOIaJZ0Ey7XmmFp6Px9HILsjdtmvMdqf3iRh38r01RvrELX9OpNd1SJb9pRjxV-4v0musLbIFde6PtYT0Xg1SAXWgndBSIQj/s1600/Caryl+Morgan+in+Abigail+Docherty's%2BJohn%2BGrace.jpg" height="320" width="213" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Caryl Morgan in Abi Docherty's <i>John Grace</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZjesmFDHBwB3sPF2Y08ElX14wLId9lcrDzeOERqL3TqhDeTV_1zlmJIk17FWYcwKsbKqqDICYlAvePuXUhRbjorVl0lhOnbWPTf84LIwrX5S5utT6XKLQCwMiTUfOw7ro3lKc_4coVKSz/s1600/Caryl+Morgan+in+Branwen+Davies'%2BLlond%2BBol.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZjesmFDHBwB3sPF2Y08ElX14wLId9lcrDzeOERqL3TqhDeTV_1zlmJIk17FWYcwKsbKqqDICYlAvePuXUhRbjorVl0lhOnbWPTf84LIwrX5S5utT6XKLQCwMiTUfOw7ro3lKc_4coVKSz/s1600/Caryl+Morgan+in+Branwen+Davies'%2BLlond%2BBol.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Caryl Morgan in Branwen Davies' <i>Llond Bol</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbFeXFEZrY3r8zv-w_s7sBfUQ0dlLdtZ3jYPEgN_xmH14xlSpmm50MX8xVS52hKa0AJmMAUTITVOPRujYCTEYHOW4Hsro0sCGoKY-LSQXHuMmlb0NDnTcx41OhP2ZIHFG44eVE-c9LQr7q/s1600/Caryl+Morgan+in+Sam+Burns'%2BCustard%2BSlice%2BEaters.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbFeXFEZrY3r8zv-w_s7sBfUQ0dlLdtZ3jYPEgN_xmH14xlSpmm50MX8xVS52hKa0AJmMAUTITVOPRujYCTEYHOW4Hsro0sCGoKY-LSQXHuMmlb0NDnTcx41OhP2ZIHFG44eVE-c9LQr7q/s1600/Caryl+Morgan+in+Sam+Burns'%2BCustard%2BSlice%2BEaters.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Caryl Morgan in Sam Burns' <i>Custard Slice Eaters</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjim_vNIkhZmyvxM_BjQPX_lftbnF02Ar0mvJUflHWMkxRq9KHjcC8JZC8U0Txzd9jYuwPUED98fpJ7vPRnO5TgFhjLwXa2GjEfBHI3OPBI9-Fj9YR-CfZPb0AXFOwHR9vrM_kWAPPzS1nu/s1600/Helen+Griffin+in+Katie+O'Reilly's%2BPurple%2Band%2BGreen.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjim_vNIkhZmyvxM_BjQPX_lftbnF02Ar0mvJUflHWMkxRq9KHjcC8JZC8U0Txzd9jYuwPUED98fpJ7vPRnO5TgFhjLwXa2GjEfBHI3OPBI9-Fj9YR-CfZPb0AXFOwHR9vrM_kWAPPzS1nu/s1600/Helen+Griffin+in+Katie+O'Reilly's%2BPurple%2Band%2BGreen.jpg" height="320" width="213" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Helen Griffin in Kaite O'Reilly's<i> Purple and Green</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyIZa2_1-2p7_wktqgNajUZ0xvqYeizR0fgRcHJFJ2Lk-xWwJVK_qFF3iFB7c3Ur5F9qG0We2dMH03IPK0bpZj8kc3IVyth1zaTkCNnANjQu5GgpuCGFnLfCDCZiDRNfB9Quzn8Hel8KYR/s1600/Helen+Griffin+in+Samantha+Ellis'%2BThis%2BTime%2BI%2BWin.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyIZa2_1-2p7_wktqgNajUZ0xvqYeizR0fgRcHJFJ2Lk-xWwJVK_qFF3iFB7c3Ur5F9qG0We2dMH03IPK0bpZj8kc3IVyth1zaTkCNnANjQu5GgpuCGFnLfCDCZiDRNfB9Quzn8Hel8KYR/s1600/Helen+Griffin+in+Samantha+Ellis'%2BThis%2BTime%2BI%2BWin.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Helen Griffin in Samantha Ellis' <i>This Time I Win</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguSBxZTh7bpUPCKiDUMPZgXoL1UOSDEIBtg23iNggouuTVTodavVuCGuUM7r8LMBbyNMBK7KzdK42wY_zZtnoMf6rsfbHU1_b1Bh7wOd9neSjgwZOZ4V4x1Uconfxji02z-JpnQDaKnJ2G/s1600/Helen+Griffin+in+Sarah+Grochala's%2BLittle%2BMermaid.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguSBxZTh7bpUPCKiDUMPZgXoL1UOSDEIBtg23iNggouuTVTodavVuCGuUM7r8LMBbyNMBK7KzdK42wY_zZtnoMf6rsfbHU1_b1Bh7wOd9neSjgwZOZ4V4x1Uconfxji02z-JpnQDaKnJ2G/s1600/Helen+Griffin+in+Sarah+Grochala's%2BLittle%2BMermaid.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Helen Griffin in Sarah Grochala's <i>Little Mermaid</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5UzymSPyI-KPctNeoQrCndsF47DkiUNRcjNpx0sDxdgwqkVxMCMzWRbCwePf7PIbncP4AYdaknwET0ybIiyWZAGoZsdP1H9zMfavtB3HAi5NfmJRBONgtxUB7bGGEwqMlrd9ed7HF7xkn/s1600/Llinos+Mai+in+Poppy+Corbett's%2BRed%2BHeart.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5UzymSPyI-KPctNeoQrCndsF47DkiUNRcjNpx0sDxdgwqkVxMCMzWRbCwePf7PIbncP4AYdaknwET0ybIiyWZAGoZsdP1H9zMfavtB3HAi5NfmJRBONgtxUB7bGGEwqMlrd9ed7HF7xkn/s1600/Llinos+Mai+in+Poppy+Corbett's%2BRed%2BHeart.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Llinos Mai in Poppy Corbett's <i>Red Heart</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAOQYi3KtOZ5gtuVrF9WU9WqMjETVhmOFAbTMM6Vg9R7R2QOansI4XbkZKWytfkEDx-T5FpkhnjMCXeGGohdgL5rRXNfpb25ar1cOZL2k3YCHoZOzozVXbGErlmEq0-o1E4NVmZXZ7wFPV/s1600/Llinos+Mai+in+Sandra+Bendelow's%2BPoo%2BKarma%2Band%2BArctic%2BExploration.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAOQYi3KtOZ5gtuVrF9WU9WqMjETVhmOFAbTMM6Vg9R7R2QOansI4XbkZKWytfkEDx-T5FpkhnjMCXeGGohdgL5rRXNfpb25ar1cOZL2k3YCHoZOzozVXbGErlmEq0-o1E4NVmZXZ7wFPV/s1600/Llinos+Mai+in+Sandra+Bendelow's%2BPoo%2BKarma%2Band%2BArctic%2BExploration.jpg" height="320" width="213" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Llinos Mai in Sandra Bendelow's <i>Poo Karma and Arctic Exploration</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlxL4xJCxgT43ydaqHt8XedPFHhC8twkKYVXJnn-b5iHsoeqs8wP9MgqZse-jOzs8R8mwrm2VEzu-Jfd4SiFxIYtDB0rZLnLQX9DF3reruzyyyN68uOEFjWvuj9htuPaifGHAiI4985DGR/s1600/Llinos+Mai+in+Sharon+Morgan's%2BShidan.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlxL4xJCxgT43ydaqHt8XedPFHhC8twkKYVXJnn-b5iHsoeqs8wP9MgqZse-jOzs8R8mwrm2VEzu-Jfd4SiFxIYtDB0rZLnLQX9DF3reruzyyyN68uOEFjWvuj9htuPaifGHAiI4985DGR/s1600/Llinos+Mai+in+Sharon+Morgan's%2BShidan.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Llinos Mai in Sharon Morgan's <i>Shidan</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdLSrDHUAtqYuBQxSS_HnADU3XI-1ytNjpgTdPVCGXemjaezwZL-uUMmFK3QVczmyOgNgj717w0v2CRTBbuIVLdR4GX-jWDY2kWw_Tnc-LmOtKPnRuYbHXOKeB0GkfXoZKLRXFeBWhQhfn/s1600/Lynn+Hunter+in+Clare+Duffy's%2BInge%2B(2).jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdLSrDHUAtqYuBQxSS_HnADU3XI-1ytNjpgTdPVCGXemjaezwZL-uUMmFK3QVczmyOgNgj717w0v2CRTBbuIVLdR4GX-jWDY2kWw_Tnc-LmOtKPnRuYbHXOKeB0GkfXoZKLRXFeBWhQhfn/s1600/Lynn+Hunter+in+Clare+Duffy's%2BInge%2B(2).jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lynn Hunter in Clare Duffy's <i>Inge</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdRHOI30sWdM0Dc28IDhGBIxoyD9H0N5UGr8cg0nT1tAxq4TpvjQK0uXSxAN67zrroLUyG_DLQwpunV3xkm-jO2DnVUuqK4PXj74nX7IfHkINB8uuBafIgOyOKUjniEAvsY7lOu0zrP679/s1600/Lynn+Hunter+in+Katie+McCullough's%2BNissa's%2BWaiting%2BOver%2BThere.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdRHOI30sWdM0Dc28IDhGBIxoyD9H0N5UGr8cg0nT1tAxq4TpvjQK0uXSxAN67zrroLUyG_DLQwpunV3xkm-jO2DnVUuqK4PXj74nX7IfHkINB8uuBafIgOyOKUjniEAvsY7lOu0zrP679/s1600/Lynn+Hunter+in+Katie+McCullough's%2BNissa's%2BWaiting%2BOver%2BThere.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lynn Hunter in Katie McCullough's <i>Nissa's Waiting Over There</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhuAwi1yNvU4nGgQAQfb2ut8dNGuK4aSCt1LN0o-ASGfBKR5iMMwV5rqdcu-d5fUzFG-vQGSV8KL0KgGaztRHV9Hx90Gj0NE1KUXGX-mamSse05jtxHCIkJrrN2BPV2Fex0Ec67kqhnMV7/s1600/Lynn+Hunter+in+Vittoria+Cafolla's%2BAn%2BExtraordinary%2BWoman.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhuAwi1yNvU4nGgQAQfb2ut8dNGuK4aSCt1LN0o-ASGfBKR5iMMwV5rqdcu-d5fUzFG-vQGSV8KL0KgGaztRHV9Hx90Gj0NE1KUXGX-mamSse05jtxHCIkJrrN2BPV2Fex0Ec67kqhnMV7/s1600/Lynn+Hunter+in+Vittoria+Cafolla's%2BAn%2BExtraordinary%2BWoman.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lynn Hunter in Vittoria Cafolla's <i>An Extraordinary Woman</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPUO9OVrQOcf4IRom-NvtAGG6E1w28c7hvox2FJQFOcoc_xm0i6zvkE8jZBuaTclm1gBgDRJyQMqKVjjkB4umskBAwYw4b3yljzp5dYLVJ0GRVrbd86ehIUqgXwYoMSD8Zkx2s-f_uX44M/s1600/Natalie+Paisey+in+Lisa+Parry's%2BA%2BMother's%2BHeart.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPUO9OVrQOcf4IRom-NvtAGG6E1w28c7hvox2FJQFOcoc_xm0i6zvkE8jZBuaTclm1gBgDRJyQMqKVjjkB4umskBAwYw4b3yljzp5dYLVJ0GRVrbd86ehIUqgXwYoMSD8Zkx2s-f_uX44M/s1600/Natalie+Paisey+in+Lisa+Parry's%2BA%2BMother's%2BHeart.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Natalie Paisey in Lisa Parry's <i>A Mother's Heart</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAm3-4xSRunmeMfGdC27Q5L457H0ZgyQ_2pL-MTl4WGANJEMrprnyH45JfltPuz6cy4myuv1jcaAI3FGhyphenhyphenBSGtNGAIDeMtt-n9MWyvGnsD_LevBhn-8amIg1mMQx-zZLOskMZ7QIhLDXre/s1600/Natalie+Paisey+in+Marged+Parry's%2BUnarmed%2C%2BHeb%2BArf.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAm3-4xSRunmeMfGdC27Q5L457H0ZgyQ_2pL-MTl4WGANJEMrprnyH45JfltPuz6cy4myuv1jcaAI3FGhyphenhyphenBSGtNGAIDeMtt-n9MWyvGnsD_LevBhn-8amIg1mMQx-zZLOskMZ7QIhLDXre/s1600/Natalie+Paisey+in+Marged+Parry's%2BUnarmed%2C%2BHeb%2BArf.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Natalie Paisey in Marged Parry's Unarmed, Heb Arf</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioo-3GkodMGfvolZt75C6T44UnAsGS3KWJ2zNqCatj7-WYz8KDyu22FXEqwsw3yXF6jkINUEE6btZsYG9zRENh4kbEjjeUtZCNUBqgW4WURQalMyMS8AHGHMPrWXnZyO5Tp1FqK4H2-dPU/s1600/Natalie+Paisey+in+Shannon+Yee's%2BFrequency%2BHopping%2Bwith%2Bthe%2BEctstasy%2BGirl.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioo-3GkodMGfvolZt75C6T44UnAsGS3KWJ2zNqCatj7-WYz8KDyu22FXEqwsw3yXF6jkINUEE6btZsYG9zRENh4kbEjjeUtZCNUBqgW4WURQalMyMS8AHGHMPrWXnZyO5Tp1FqK4H2-dPU/s1600/Natalie+Paisey+in+Shannon+Yee's%2BFrequency%2BHopping%2Bwith%2Bthe%2BEctstasy%2BGirl.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Natalie Paisey in Shannon Yee's <i>Frequency Hopping with the Ecstasy Girl</i></td></tr>
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<br />Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com1tag:blogger.com,1999:blog-6249030615193001354.post-74415341894632827072014-10-18T10:27:00.000+01:002014-10-18T10:27:12.273+01:00Thank you!Just a short note to say - thank you! Thank you for helping fund our Fun Palace, thank you for coming to see our plays and thank you for all the support over recent months.<br />
<br />
We're currently ploughing through evaluations, but we hope to bring you exciting news about our future plans very soon, as well as photos from the shows and a recording of the discussion. So do stay tuned! In the meantime though, here's some press you may have missed: <br />
<ul>
<li>An<a href="http://cardiffstudentmedia.co.uk/quench/culture/agent-160-interview-lisa-parry-2/" target="_blank"> interview</a> with Lisa Parry in Quench </li>
<li>An <a href="https://kaiteoreilly.wordpress.com/2014/10/03/20-questions-samantha-ellis/" target="_blank">interview</a> with Samantha Ellis on Kaite O'Reilly's blog</li>
<li>An AMAZING Fun Palace <a href="http://exeuntmagazine.com/features/fun-palaces/" target="_blank">doodle</a> in Exeunt</li>
</ul>
Thank you once again.<br />
<br />
The Agent 160 Team. Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-30494216081383132622014-10-02T12:05:00.002+01:002014-10-02T12:05:31.426+01:00Agent 160's Fun Palace: what's on whenHoping to see you at our Fun Palace at the Wales Millennium Centre this weekend! Here is what's happening, hour by hour.<br />
<br />
<b>Saturday 4th October</b><br />
<br />
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gan \ by Katie O’Reilly<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--></span><span style="font-family: "Franklin Gothic Book"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 148.85pt;" valign="top" width="149"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><br />
</span><span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">An
Extraordinary Woman</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"><br />
gan \ by Vittoria Cafolla<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 5.0cm;" valign="top" width="142"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Shidan</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Sharon Morgan<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<o:p></o:p></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 2;">
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 5.0cm;" valign="top" width="142"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><br />
</span><span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Custard
Slice Eaters<br />
</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">gan \ by Sam Burns <br />
Canllaw Oed \ Age Guide: 14+<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--></span><span style="font-family: "Franklin Gothic Book"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 148.85pt;" valign="top" width="149"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><br />
</span><span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Red
Heart</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Poppy Corbett <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 5.0cm;" valign="top" width="142"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><br />
</span><span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Unarmed
\ <span style="mso-spacerun: yes;"> </span>Heb Arf</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"><br />
gan \ by Marged Parry<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<o:p></o:p></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 3;">
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 5.0cm;" valign="top" width="142"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><br />
</span><span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Inge</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">gan \ by Claire
Duffy<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--></span><span style="font-family: "Franklin Gothic Book"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 148.85pt;" valign="top" width="149"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Llond
Bol</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Branwen Davies<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 5.0cm;" valign="top" width="142"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><br />
</span><span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">This
Time I Win</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Samantha Ellis<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<o:p></o:p></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 4;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 49.65pt;" valign="top" width="50"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-size: 11.0pt;">1:10pm – 2pm<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
</td>
<td colspan="3" style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 432.35pt;" valign="top" width="432"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Sunday Morning, Dandelion Seeds</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> gan \ by Lindsay Rodden<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 5;">
<td rowspan="2" style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 49.65pt;" valign="top" width="50"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-size: 11.0pt;">2pm – 4pm <o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 5.0cm;" valign="top" width="142"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Poo
Karma and <br />
Arctic Exploration</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Sandra Bendelow<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 148.85pt;" valign="top" width="149"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Frequency
Hopping <br />
with the Ecstasy Girl </span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"><br />
gan \ by Shannon Ye<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 5.0cm;" valign="top" width="142"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><br />
</span><span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Little
Mermaid </span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"><br />
gan \ by Sarah Grochala<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 6; mso-yfti-lastrow: yes;">
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 5.0cm;" valign="top" width="142"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">A
Mother’s Heart</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Lisa Parry<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><span style="color: red;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 148.85pt;" valign="top" width="149"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Nissa’s
Waiting Over There</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Katie McCullough<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 5.0cm;" valign="top" width="142"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">John
Grace</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Abigail Docherty<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<o:p></o:p></span></div>
</td>
</tr>
</tbody></table>
<br />
<br />
<br />
<b>Sunday 5th October</b><br />
<br />
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Shidan</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Sharon Morgan<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<o:p></o:p></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 2;">
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 141.45pt;" valign="top" width="141"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><br />
</span><span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Custard
Slice Eaters<br />
</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">gan \ by Sam Burns <br />
Canllaw Oed \ Age Guide: 14+<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--></span><span style="font-family: "Franklin Gothic Book"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 148.6pt;" valign="top" width="149"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><br />
</span><span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Red
Heart</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Poppy Corbett <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 141.45pt;" valign="top" width="141"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><br />
</span><span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Unarmed
\<span style="mso-spacerun: yes;"> </span>Heb Arf</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"><br />
gan \ by Marged Parry<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<o:p></o:p></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 3;">
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 141.45pt;" valign="top" width="141"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><br />
</span><span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Inge</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">gan \ by Claire
Duffy<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--></span><span style="font-family: "Franklin Gothic Book"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 148.6pt;" valign="top" width="149"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Llond
Bol</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Branwen Davies<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 141.45pt;" valign="top" width="141"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><br />
</span><span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">This
Time I Win</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Samantha Ellis<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<o:p></o:p></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 4;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 50.5pt;" valign="top" width="51"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-size: 11.0pt;">12:10pm – 1pm<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
</td>
<td colspan="3" style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 431.5pt;" valign="top" width="432"><div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<br /></div>
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Sunday Morning, Dandelion Seeds</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> gan \ by Lindsay Rodden<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 5;">
<td rowspan="2" style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 50.5pt;" valign="top" width="51"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-size: 11.0pt;">1pm – 3pm <o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 141.45pt;" valign="top" width="141"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Poo
Karma and <br />
Arctic Exploration</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Sandra Bendelow<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 148.6pt;" valign="top" width="149"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Frequency
Hopping <br />
with the Ecstasy Girl </span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"><br />
gan \ by Shannon Ye<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 141.45pt;" valign="top" width="141"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 8.0pt; mso-bidi-font-family: Baskerville;"><br />
</span><span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Little
Mermaid </span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"><br />
gan \ by Sarah Grochala<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 6; mso-yfti-lastrow: yes;">
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 141.45pt;" valign="top" width="141"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">A
Mother’s Heart</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Lisa Parry<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><span style="color: red;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 148.6pt;" valign="top" width="149"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Nissa’s
Waiting Over There</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Katie McCullough<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">Canllaw Oed \ Age
Guide: 14+<o:p></o:p></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 141.45pt;" valign="top" width="141"><div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Demi","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;">John
Grace</span><span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"> <br />
gan \ by Abigail Docherty<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Franklin Gothic Book"; font-size: 10.0pt; mso-bidi-font-family: Baskerville; mso-bidi-font-size: 11.0pt;"><span style="mso-spacerun: yes;"> </span>Canllaw Oed \ Age Guide: 14+<o:p></o:p></span></div>
</td>
</tr>
</tbody></table>
<br />
<div>
<b>4pm: Women: Do You Know What You Are Angry About: </b>a discussion about anger, activism and feminism in the spirit of Joan Littlewood and Shelagh Delaney, in the Japan Room. On the panel are Agents Samantha Ellis, Sharon Morgan and Lisa Parry, Wales Millennium Centre's Fern George, and writer and feminist activist Sian Norris.</div>
<div>
<br /></div>
<div>
<b>5pm: Consequences play: </b>over the weekend, we invite you to write a line for a play which will be written as a massive game of consequences. At 5pm, come to the Centre foyer and see it performed.</div>
Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-19337397694048614782014-10-01T20:24:00.002+01:002014-10-01T20:24:31.719+01:00Casting Announcement
We can now announce the actors in our plays this weekend. See below for more information! <br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Garamond;"><b style="mso-bidi-font-weight: normal;"></b></span> </div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Garamond;"><b style="mso-bidi-font-weight: normal;">Helen Griffin </b>(<i style="mso-bidi-font-style: normal;">Purple and Green; This Time I Win; Little
Mermaid</i>)<o:p></o:p></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio-HyuPY4vY-5vV9gpbOUBhvecU-CzrFyT7vwl6_Lm7vsyXdyUQb0hPzBh1Qq5FKQweH3mxMVZDMCE7nvbg0rNfX9Vxre_jPzNT3YliQRp0Dxi67OOQjyZxj6b7PQZ2otcPOcjzQIEujTe/s1600/helen_griffin.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio-HyuPY4vY-5vV9gpbOUBhvecU-CzrFyT7vwl6_Lm7vsyXdyUQb0hPzBh1Qq5FKQweH3mxMVZDMCE7nvbg0rNfX9Vxre_jPzNT3YliQRp0Dxi67OOQjyZxj6b7PQZ2otcPOcjzQIEujTe/s1600/helen_griffin.jpg" height="200" width="156" /></a></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Garamond;">Helen has worked extensively in theatre in Wales, most
recently reviving her acclaimed one-woman show, <i style="mso-bidi-font-style: normal;">Caitlin</i>, for the Dylan Thomas centenary. Another one-woman show,
(no-one will work with her!), <i style="mso-bidi-font-style: normal;">Who's
Afraid Of Rachel Roberts?!,</i> which she also co-wrote, played in Edinburgh
last year and she has performed in several National Theatre Wales productions.
TV work includes <i style="mso-bidi-font-style: normal;">Getting On</i>, <i style="mso-bidi-font-style: normal;">Coronation Street, Criminal Justice 2, The
Bill, Dr Who, Con Passionata, Pobl Y Cwm, Casualty</i> and <i style="mso-bidi-font-style: normal;">Holby City</i>. Film includes <i style="mso-bidi-font-style: normal;">Human
Traffic, Twin Town</i> and <i style="mso-bidi-font-style: normal;">Little White
Lies</i>, (which she also wrote), and for which she won a BAFTA Cymru Best
Actress. She has recently been filming <i style="mso-bidi-font-style: normal;">Under
Milk Wood</i>, directed by Kevin Allen and <i style="mso-bidi-font-style: normal;">Just
Jim</i>, directed by Craig Roberts. The film <i style="mso-bidi-font-style: normal;">Y Syrcas</i>, for which she wrote the screenplay, has just been
nominated Best Film Bafta Cymru. She is currently writing a series for Ffatti
Films and S4C called <i style="mso-bidi-font-style: normal;">Scarlet Town</i>.<o:p></o:p></span></div>
<br />
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<b style="mso-bidi-font-weight: normal;"><o:p><span style="font-family: Garamond;"> </span></o:p></b></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Garamond;"><b style="mso-bidi-font-weight: normal;">Lynn Hunter </b>(<i style="mso-bidi-font-style: normal;">An Extraordinary Woman; Inge; Nissa’s
Waiting Over There</i>)<o:p></o:p></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlgpnXlwWwiT23Bpj46bDk8954ConsJk-LH-QbU4tSbKRVoGNJTUTqzA-OCLah99Aq6q_avaeeykWCi79NQuNwnwjik54TjADQ-hcnhfBz5gyXiCiqvokzlDPa7L9BOnS_kvG9csAqUjt9/s1600/LYNNE_PUBLCITY+357.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlgpnXlwWwiT23Bpj46bDk8954ConsJk-LH-QbU4tSbKRVoGNJTUTqzA-OCLah99Aq6q_avaeeykWCi79NQuNwnwjik54TjADQ-hcnhfBz5gyXiCiqvokzlDPa7L9BOnS_kvG9csAqUjt9/s1600/LYNNE_PUBLCITY+357.jpg" height="200" width="132" /></a></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Garamond;">Lynn has been an actress for longer than she cares to
remember. She has been fortunate enough to have worked in theatre, television,
film and radio. For the past 20 years she has been involved in the development
of new writing and is very pleased to be involved in this, Agent 160's event
showcasing new writing. Lynn is currently shooting two new television series
written by Russell T. Davies, <i style="mso-bidi-font-style: normal;">Cucumber</i>
for Channel 4 and <i style="mso-bidi-font-style: normal;">Banana</i> for E4. They
will air in January 2015.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: Baskerville;"><o:p> </o:p></span></b></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Garamond;"><b style="mso-bidi-font-weight: normal;">Llinos Mai</b> (<i style="mso-bidi-font-style: normal;">Red Heart; Poo Karma and Arctic Exploration;
Shidan</i>)<o:p></o:p></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhXN2qu8VBY8IptJ2zOnKHoPGCxZWCqQj8zR_VcWbMvSPPn24gH_WKD-z0v1pn9Ll6Aq2G-U-mmapp4aLakB1iu_aZqBBIDEnABq3rgyIk3tP1rZ_S4DWmcUYsNVrz8MEm5bbZbt8KaCNR/s1600/LlinosMai.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhXN2qu8VBY8IptJ2zOnKHoPGCxZWCqQj8zR_VcWbMvSPPn24gH_WKD-z0v1pn9Ll6Aq2G-U-mmapp4aLakB1iu_aZqBBIDEnABq3rgyIk3tP1rZ_S4DWmcUYsNVrz8MEm5bbZbt8KaCNR/s1600/LlinosMai.jpg" height="200" width="160" /></a></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Garamond;">Llinos Mai is a well-known theatre actress. She has worked
with many theatre companies such as Torch Theatre, Theatr Iolo, National
Theatre Wales, NTW Waleslab, Mappa Mundi, Mai Oh Mai Productions, Arts
Active/WMC, Sherman Cymru, Gwent Theatre, Cabaret Whales, Theatr Na N’og and
Jarbones Theatre Company.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Garamond;">She is a talented comedy actress and has appeared in
comedies including <i style="mso-bidi-font-style: normal;">Allergy</i>, Angela in
<i style="mso-bidi-font-style: normal;">Angela and Buster</i> and Lauren in <i style="mso-bidi-font-style: normal;">Lauren and Jade</i>. She has appeared in <i style="mso-bidi-font-style: normal;">Y Pris</i> for Fiction Factory.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Garamond;">Llinos is a fluent Welsh speaker and a highly skilled
actor-musician playing the harp, bass guitar, flute, piano, ukulele and is a
fantastic Soprano singer. She is a great composer, writer and drama workshop
leader.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<o:p><span style="font-family: Garamond;"> </span></o:p></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: Baskerville;">Caryl Morgan </span></b><span style="font-family: Baskerville;">(<i style="mso-bidi-font-style: normal;">Custard Slice Eaters; Llond
Boi; John Grace</i>)<o:p></o:p></span></div>
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji9saYiRwe_DF80VF-fi3bz6nduGD9v2zs6jPW1drrXGxzF2vEUV6vmELVuU4vBdZKfcM_k7tMB1z1kBl3dTaRhaNGVerr2fV-hNA8ztZVUMchyphenhypheneIHHiWvYVKdY_aou5yzdGcmKF2PC1_b/s1600/CARYL+MORGAN.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji9saYiRwe_DF80VF-fi3bz6nduGD9v2zs6jPW1drrXGxzF2vEUV6vmELVuU4vBdZKfcM_k7tMB1z1kBl3dTaRhaNGVerr2fV-hNA8ztZVUMchyphenhypheneIHHiWvYVKdY_aou5yzdGcmKF2PC1_b/s1600/CARYL+MORGAN.JPG" height="200" width="160" /></a></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Baskerville;">Caryl is from Swansea
and trained at the Royal Welsh College of Music and Drama.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Baskerville;">She is an Associate
Actor at Clwyd Theatr Cymru where her credits include the national tour of <i style="mso-bidi-font-style: normal;">Under Milk Wood</i>, <i style="mso-bidi-font-style: normal;">Boeing Boeing, A Doll’s House, Roots, Arcadia</i> and <i style="mso-bidi-font-style: normal;">The Cherry Orchard</i>.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Baskerville;">Other, most recent,
theatre work includes: <i style="mso-bidi-font-style: normal;">Halt! Who goes
there?</i> (Theatr na n’Og), <i style="mso-bidi-font-style: normal;">Dyled Eileen</i>
(Theatr Genedlaethol), <i style="mso-bidi-font-style: normal;">A Letter from
Shakespeare</i> (GradCo) and workshopping Peter Karrie’s new musical <i style="mso-bidi-font-style: normal;">Rasputin, Ripples to Revolution</i>.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Baskerville;">Radio work includes: <i style="mso-bidi-font-style: normal;">And Quiet Flows the Don, Making Perfume</i>
and <i style="mso-bidi-font-style: normal;">Dammed</i> for BBC Radio 4 and <i style="mso-bidi-font-style: normal;">Dyddiau Hope Street</i> for BBC Radio Cymru.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Baskerville;">Screen work includes: <i style="mso-bidi-font-style: normal;">Being Human</i> (BBC3) A470 (ITV Wales) and <i style="mso-bidi-font-style: normal;">Mabel</i> (Spinning Head Productions). <o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Baskerville;">Caryl spent three years
playing regular character Izzy Evans in the Welsh soap <i style="mso-bidi-font-style: normal;">Pobol y Cwm</i> on S4C.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<o:p><span style="font-family: Garamond;"> </span></o:p></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: Baskerville;">Natalie Paisey (</span></b><i style="mso-bidi-font-style: normal;"><span style="font-family: Baskerville;">Frequency Hopping with the
Ecstasy Girl; A Mother’s Heart; Unarmed/Heb Arf)</span></i><b style="mso-bidi-font-weight: normal;"><span style="font-family: Baskerville;"><o:p></o:p></span></b></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDmoOEH8j4ku00rVPg_CF96tSyZRZePy3BNiD9niNA6mHTmnbVO4dxNLdSAUzEhJ3TwBBnJzeHxz-VX1wRA85QqW4A-Nk0NBIl9fyU2ZY73FIlIPkqbHLAx9gZ3vXJaDM4Nfj1Fiz-Ap2e/s1600/Natalie+Paisey.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDmoOEH8j4ku00rVPg_CF96tSyZRZePy3BNiD9niNA6mHTmnbVO4dxNLdSAUzEhJ3TwBBnJzeHxz-VX1wRA85QqW4A-Nk0NBIl9fyU2ZY73FIlIPkqbHLAx9gZ3vXJaDM4Nfj1Fiz-Ap2e/s1600/Natalie+Paisey.jpg" height="200" width="186" /></a></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Baskerville;">Natalie is a
Cardiff-based actress, originally from Ammanford. She has performed in Italy
with the director Firenza Guidi and in Wales with National Theatre Wales,
Sherman Cymru, and with Welsh National Opera in collaboration with YelloBrick
Theatre Company. She has made appearances in BBC/S4C’s <i style="mso-bidi-font-style: normal;">Pobol Y Cwm</i>, BBC’s <i style="mso-bidi-font-style: normal;">The Sarah
Jane Adventures</i> and <i style="mso-bidi-font-style: normal;">Merlin</i> as
well as in numerous short films, voice overs and on radio; and will be
appearing in Ruth Jones’ <i style="mso-bidi-font-style: normal;">Stella</i> in
early 2015.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Baskerville;">Natalie is herself an
aspiring playwright and is very happy to be involved in this inspirational
project.<o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt;">
<span style="font-family: Baskerville;"><o:p> </o:p></span></div>
Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-24659680463297102042014-09-22T19:44:00.001+01:002014-09-22T19:44:34.445+01:00Thank you!We're so thrilled to have Arts Council Wales' support for our Fun Palace. And we're also chuffed to bits to have had so many donations via our Kickstarter campaign. We're currently in rehearsals and we simply would not be without the support of the following people:<br />
<br /><br />
Gráinne Close<br />
Lionheart-theatre.com<br />
Dominic Lindesay-Bethune<br />
Godfrey the Cat (and Nicola & Heather)<br />
Jax Lovelock @ ReBloom<br />
Othniel Smith<br />
Sian Owen<br />
Erica Miller<br />
Sara Beer<br />
Miranda Bertram<br />
Laura Drane<br />
Robert Harper<br />
Angharad Thomas<br />
Lucy Christopher<br />
Derek Martin<br />
Lauren<br />
Morgan Lloyd Malcolm<br />
Megan Price<br />
Orla Nicholls<br />
Claire and Anthony Burns<br />
Mrs J S Parry<br />
Steven Keevil<br />
Alison Smith<br />
Valerie O’Riordan<br />
Beverley McCullough<br />
Matthew Bulgo<br />
Anastasia Catris<br />
Keith Burgess<br />
David Bishop<br />
Stephanie Ressort<br />
Amanda Reed<br />
Jonathan Wakeham<br />
Ginny Osborne<br />
Mr M J H Burns and Mrs S M Burns<br />
Pie Corbett<br />
Linda McLean<br />
Dr Catrin Huws<br />
<br /><br />
Thank you everyone! Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-19376110179138579132014-09-19T20:02:00.002+01:002014-09-19T20:02:46.406+01:00Play Titles and QuotesWith just 15 days to go, we're currently offering teasers from our scripts over on <a href="http://www.twitter.com/agent160theatre" target="_blank">Twitter </a>and <a href="http://www.facebook.com/agent160theatre" target="_blank">Facebook</a>, so keep checking our pages for insights! Rehearsals have begun, chats between writers and directors are taking place and we have a great design we can't wait for you to see!<br />
<br />
<br />
We also have play titles which is really exciting. They're listed below next to our playwrights' names to whet your appetites still further. We can't wait for you to see our work. <br />
<br />
<br />
<ul>
<li>Poo Karma and Arctic Exploration - Sandra Bendelow</li>
<li>Custard Slice Eaters - Sam Burns</li>
<li>An Extraordinary Woman - Vittoria Cafolla</li>
<li>Red Heart - Poppy Corbett</li>
<li>LLOND BOL - Branwen Davies</li>
<li>John Grace - Abigail Docherty</li>
<li>Inge - Clare Duffy</li>
<li>This Time I Win - Samantha Ellis</li>
<li>Little Mermaid - Sarah Grochala</li>
<li>NISSA’S WAITING OVER THERE - Katie McCullough</li>
<li>SHIDAN - Sharon Morgan</li>
<li>A Mother’s Heart - Lisa Parry</li>
<li>UNARMED /HEB ARF - Marged Parry</li>
<li>Purple and Green - Kaite O’Reilly</li>
<li>Sunday Morning, Dandelion Seeds - Lindsay Rodden</li>
<li>Frequency Hopping with the Ecstasy Girl - Shannon Yee</li>
</ul>
<br />Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-9789929233222401392014-09-04T10:46:00.004+01:002014-09-04T10:46:34.500+01:00Women: Do You Know What You Are Angry About?<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA-66MGpqw9qS8t3q-8iXHBsuPy1n2uxBp7vshajg-tuG6A6kwwcUwbvS-YP9tTr8f4_koLQaro-dgwzMx1zOj4StMLS0npMEBwthCBxuLbm6UOoj_iW2H6IKQBGhfoxKa9r9tpObX82sk/s1600/shelagh.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA-66MGpqw9qS8t3q-8iXHBsuPy1n2uxBp7vshajg-tuG6A6kwwcUwbvS-YP9tTr8f4_koLQaro-dgwzMx1zOj4StMLS0npMEBwthCBxuLbm6UOoj_iW2H6IKQBGhfoxKa9r9tpObX82sk/s1600/shelagh.jpg" height="400" width="263" /></a></div>
<div class="p1">
When theatre legend Joan Littlewood directed Shelagh Delaney's first play, <i>A Taste of Honey</i>, critics disgruntedly said Delaney was just like the angry young men dominating British theatre. But Littlewood said no: Delaney was different because she knew what she was angry about. </div>
<div class="p1">
<br /></div>
<div class="p1">
We at Agent 160 think this is still a valid question. <i>Do you know what you are angry about? Do we?</i> </div>
<div class="p1">
<br /></div>
<div class="p1">
As part of our Fun Palace, we're going to have what we hope will be a fierce, fun conversation about anger, feminism and activism, not just in theatre but in our lives. We hope you'll come and join in.</div>
<div class="p1">
<br /></div>
<div class="p1">
<a href="http://www.samanthaellis.me.uk/2011/11/rip-shelagh-delaney.html" target="_blank">Here's more about Delaney and her anger from Agent Samantha Ellis</a>.</div>
<div class="p1">
<br /></div>
<div class="p1">
And <a href="http://www.lisaparry.com/#!Angry-Women-Theatre-Society-And-Why-We-Want-You-To-Donate/ctnt/A96166AD-8CB5-4D7A-BD14-31939DB27244" target="_blank">here's Agent Lisa Parry on anger and feminism.</a></div>
<div class="p1">
<br /></div>
<div class="p1">
</div>
<div class="p1">
Our fundraising countdown has now turned from days to hours. We've tipped over the goal amount which is thrilling. <a href="https://www.kickstarter.com/projects/agent160/you-can-help-make-agent-160s-fun-palace-in-wales-h" target="_blank">If you know of anyone who still wants to pledge their support for this important project, then do pass on the link to our campaign. And thank you to those who made it happen for us!</a></div>
Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-42037193219271934762014-08-28T10:23:00.002+01:002014-08-28T13:57:17.398+01:00Double announcement klaxon!<br />
<div class="MsoNormal">
Well what a day. Not only have we confirmed our brilliant directors...<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
We've also hit our Kickstarter goal! <o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
We are:<o:p></o:p></div>
<div class="MsoNormal">
chuffed<o:p></o:p></div>
<div class="MsoNormal">
excited<o:p></o:p></div>
<div class="MsoNormal">
happy<o:p></o:p></div>
<div class="MsoNormal">
feeling fuzzy<o:p></o:p></div>
<div class="MsoNormal">
jumping for joy<o:p></o:p></div>
<div class="MsoNormal">
whooping for joy<o:p></o:p></div>
<div class="MsoNormal">
ecstatic<o:p></o:p></div>
<div class="MsoNormal">
thrilled<o:p></o:p></div>
<div class="MsoNormal">
mega-mega-excited<o:p></o:p></div>
<div class="MsoNormal">
overwhelmed<o:p></o:p></div>
<div class="MsoNormal">
many more things<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
And it's all down to YOU.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
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We could not make our Fun Palace happen without generous
good people like you. Thank you for your pledges, your whispers, your shouts,
and your sharing. We're in an extremely fortunate (and very lucky!) position in
that we have a week left before our campaign ends. This means we have the
opportunity to raise more which would be a massive help, so if there are people
out there still wanting to pledge, please do!<o:p></o:p></div>
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Now on to our directors. We welcome Angharad Lee and Julia
Thomas on to our Fun Palaces team, so let's hear more about them...</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtf8cmPeCDvZSM6dMaIHU-EBsYEW_GTCUE2e4zaue7IExVVba_KdqlbK6AEcyYsSdpcO2A-VD2l__i3hNr8iiGaBfska6vt9TmH7KJtKk_fIOZFIQ1gnFPjEorIRqnfWa0vvuf8pnAj3-q/s1600/Angharad_Lee.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtf8cmPeCDvZSM6dMaIHU-EBsYEW_GTCUE2e4zaue7IExVVba_KdqlbK6AEcyYsSdpcO2A-VD2l__i3hNr8iiGaBfska6vt9TmH7KJtKk_fIOZFIQ1gnFPjEorIRqnfWa0vvuf8pnAj3-q/s1600/Angharad_Lee.jpg" height="325" width="400" /></a></div>
Angharad was born and bred in Porth in the Rhondda
Valley. Having trained as an actress at the Royal Welsh College of Music and
Drama, she then won a scholarship to train as a singer at the Royal Academy of
Music in London. Having worked as a performer for over 10 years, the directing
bug took hold. She turned her hand to directing with a short film; ‘Know your
Enemy’, for Tornado Films, which was shown at Cineworld in Cardiff.<br />
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<o:p></o:p><br /></div>
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Some directing credits include The Magician’s Cat (WNO Max),
The Elixir Project (Acting Out/Sherman Cymru/WNO Max), Bang Project (Hijinx
Theatre), Read a Million Words (Arad Goch), The Calling of Maisy Day (Assistant
Director) for WNYO, Script Slam (Sherman Cymru), Cwrw Chips a Darlith Deg (Arad
Goch), We Need Bees (script development for Theatr na n’Og), The Journey (WNO
MAX), SXTO/SEXTING (Arad Goch), Al ac Ant a’r Cler Hudol (Arad Goch), Nine
Stories High (WNO), Gair ar Gnawd (WNO MAX), Dirty Protest, ABCDAD (BBC
Wales/It’s My Shout), Jac a’r Goeden Ffa (RCT Theatres/Cwmni MG), Tan (Urdd
Youth Theatre), Sinderela (RCT Theatres/Cwmni MG), Staff director for WNO’s
Madam Butterfly in 2013, To Kill a Machine (Scriptography Productions), The
Little Sweep (St George’s Bristol), Rasputin, Ripples to Revolution (in
development).<br />
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Julia trained in Acting at Drama Centre London. Recent
directing credits include blue/orange (Canoe Theatre, Sherman Theatre) On this
Ground (Sherman Cymru, Young Writers) Sonata (WMC) and Marsha (Capital Fringe
Festival, Washington DC). Julia has directed several projects for young people
including Running Free (Pamplona), and A Bridge to the Stars (Llanelli Youth
Theatre, NT Connections Festival). As assistant director, Julia has worked on Say
It with Flowers and Peter Pan (Sherman Cymru), A Provincial Life (National
Theatre Wales Emerging Director Opportunity) High Society (Music and Lyrics
National Tour), and Diary of a Madman (Living Pictures). Julia is also a
facilitator for the Night Out Young Promoters Project and leads educational
tours throughout Europe, specialising in Italy for the American Council of
International Studies. Julia set up Canoe Theatre in 2012 with the aim of
bringing theatre from around the World to Wales.<o:p></o:p></div>
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We're off to have a well earned sit down (jumping for joy
can take its toll) and a cup of tea. Thank you, thank you, thank you.</div>
Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-54141748893588166742014-08-25T18:24:00.002+01:002014-08-26T11:31:42.901+01:00Women of theatre unite!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9PZoRQa7oQ9gfb4cNiRLqa1ES4n-c0QqKuUiA4KE2u73kxv3kIUD256sxCCi2EOmhlu6Du6IKg289ktdtSQ-87oyV-6NMM5Dpu1Zphh8LPpkkwYzvSHUik5HOU34pNOOO3uz9Mdii6w3X/s1600/BuctyMHCIAENxxX.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9PZoRQa7oQ9gfb4cNiRLqa1ES4n-c0QqKuUiA4KE2u73kxv3kIUD256sxCCi2EOmhlu6Du6IKg289ktdtSQ-87oyV-6NMM5Dpu1Zphh8LPpkkwYzvSHUik5HOU34pNOOO3uz9Mdii6w3X/s1600/BuctyMHCIAENxxX.jpg" height="400" width="213" /></a></div>
We love the <a href="http://lafpi.com/" target="_blank">LA FPI</a> (LA Female Playwrights' Initiative), who work to ensure that women playwrights are fairly represented on local stages and beyond. They do good counting on the number of plays produced by women, connect female playwrights and try to raise awareness. And they've created this logo which they want theatre companies who are working for gender parity to use as a badge of honour and a signal of change. Of course when we heard about them, we wanted a badge. And now we have one! We're really thrilled. (Even though Cardiff is not, strictly speaking, the Greater Los Angeles area...!)<br />
<br />
Another amazing women playwrights' organisation we've connected with is <a href="http://www.thekilroys.org/" target="_blank">The Kilroys</a>. Also based in LA, they are "done talking about gender parity and are ready to act". Among their actions is The List, a list of plays by women, made to give producers brilliant ideas about plays they can put on. To make the list, they got nominations of 300 plays by women, and whittled them down to the 46 most-recommended plays.<br />
<br />
Over here, we've had great support from <a href="http://17percent.wordpress.com/" target="_blank">17percent</a>, who campaign and produce plays by women.<br />
<br />
And we were really pleased to connect with <a href="http://springboardarts.blogspot.co.uk/" target="_blank">Wendy Richardson of Springboard Arts</a> who is making a documentary about Joan Littlewood. When she heard what we were up to, she said (and we blush to repeat it): "WONDERFUL! You are amazing! What you're doing is making Joan's work right NOW!...Joan's spirit lives in you all!"<br />
<br />
And there have been so many lovely messages and tweets from individual women playwrights too, that we're really feeling part of a community of women theatremakers. Thank you all...it means a lot.Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-34974971675442458532014-08-22T14:30:00.000+01:002014-08-25T18:12:52.805+01:00We went to Wales<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLsJVPOoh60mKSosipTsa7Gn2n-yWgQTjh8RUU57-Q6ZkPTk3TIINKXyuBLkAEXt3OWYigKRadI-Yh6JD85qIteRLNQi_PYHtXLjKR7fU8WtCNfmwJOVnb2U6XoH4mRmtmnfppLq1drLwj/s1600/IMG_1149.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLsJVPOoh60mKSosipTsa7Gn2n-yWgQTjh8RUU57-Q6ZkPTk3TIINKXyuBLkAEXt3OWYigKRadI-Yh6JD85qIteRLNQi_PYHtXLjKR7fU8WtCNfmwJOVnb2U6XoH4mRmtmnfppLq1drLwj/s1600/IMG_1149.jpg" height="400" width="300" /></a></div>
<br />
Founding playwrights<b> </b><a href="http://lisafparry.blogspot.co.uk/" target="_blank">Lisa Parry</a><b>, </b><a href="http://www.samanthaellis.me.uk/" target="_blank">Samantha Ellis</a>, and our designer <a href="http://www.annablissscully.com/" target="_blank">Anna Bliss Scully</a><b> </b>were in Cardiff to scout out locations within our venue: the fabulous Wales Millennium Centre.<br />
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At the moment the place is a-buzz with the summer holidays and there's even an outside beach that's appeared! No time to frolic in the sand though, our team were on a mission. It was also a little bit windy...</div>
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While we were in Wales, we had a surge in pledges from you lovely people. And as of right now we're at <b>90% of our goal</b>. Stunning! Amazing! Beautiful news. </div>
Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-44085666182196467622014-08-19T11:30:00.000+01:002014-08-25T18:05:31.786+01:00A word from our patron Timberlake Wertenbaker...<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPouEHeYlfNKXkqECwEBz3ziymDgONqxoaP97XE3rOtYm6xelApLQk7oIDDTi4chqMds7sgdoX0RHgJ1qxHWTC3w1X-TFchY3OT1ZiEzxvwTkLmC6QvmHjIlyXDjNLrFJDEUeEy8fUbXB6/s1600/92bfdceede9c517fbb80b36d9be68e50_large.jpg.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPouEHeYlfNKXkqECwEBz3ziymDgONqxoaP97XE3rOtYm6xelApLQk7oIDDTi4chqMds7sgdoX0RHgJ1qxHWTC3w1X-TFchY3OT1ZiEzxvwTkLmC6QvmHjIlyXDjNLrFJDEUeEy8fUbXB6/s1600/92bfdceede9c517fbb80b36d9be68e50_large.jpg.png" height="162" width="400" /></a></div>
<br />Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-58856555898324638512014-08-18T10:26:00.002+01:002014-08-18T10:26:10.392+01:00Announcing our last six Fun Palaces playwrights
<br />
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And here's the last six of our amazing <b>SIXTEEN</b> playwrights. Each one of our playwrights are busy scribbling their play they've been commissioned by us, for our <b>Fun Palaces</b> event in Wales. We are excited beyond belief to have every single one of them involved, and to share their work. Read some more about the last six here...</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyWRvtKMZ46obBQoczp8_FY83PH8YnwtI_y3JGuKcsmksiMxd9musE5x9hXfFrU-lnM8ulaDOliGfhyphenhypheneeL5q5STSkUXaSsDN9c2Dxmbv86fT_cuSMY31y1odYxMBOtOPt0PY9zcEqPoIGw/s1600/Sharon+Morgan.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyWRvtKMZ46obBQoczp8_FY83PH8YnwtI_y3JGuKcsmksiMxd9musE5x9hXfFrU-lnM8ulaDOliGfhyphenhypheneeL5q5STSkUXaSsDN9c2Dxmbv86fT_cuSMY31y1odYxMBOtOPt0PY9zcEqPoIGw/s1600/Sharon+Morgan.JPG" height="300" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sharon Morgan</td></tr>
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After graduating in History from <b>University College Cardiff</b> in 1970, Sharon joined <b>Cwmni Theatr Cymru</b>'s training scheme in Bangor. Since then she has become a familiar presence on television, film, radio and theatre in Welsh, English and sometimes French, mostly in Wales, but also in England from time to time. Sharon is a founder member of four theatre companies: <b>Theatr Bara Caws </b>(1977), <b>Hwyl a Fflag (Sgwar Un)</b> 1982, <b>Fiction Factory (Y Cwmni)</b> 1988, <b>Rhosys Cochion</b> 1997</div>
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Sharon has won three <b>BAFTA Cymru</b> awards for best actress; Mary, an alcoholic, Tair Chwaer, Gaucho Films S4C 1998, Martha, a farmer, Martha Jac a Sianco, Apollo Films, S4C 2008, and Maggie Jones, matriarch, Resistance, Big Rich Films 2011, and was nominated for Rebecca, a valleys woman, in Utah Bride, 1.618 theatre company, at the inaugural Young Critics Awards 2013.</div>
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Sharon began writing in 1994, when she adapted Simone De Beauvoir's <i>Monologue</i>, which she performed as <b>Gobeithion Gorffwyll</b>. Her trilogy of identity, three one-women plays- <i>Ede Hud</i> 1997, <i>Holl Liwie'r Enfys</i> 2006, and <i>Trafaelu ar Y Tren Glas</i> 2008, followed. <i>Dreaming Amelia</i>, inspired by Amelia Earhart's landing on the West Wales Coast in 1928 toured England and Wales in 2002 (<b>Hi-jinx Theatre</b>). <i>Shinani'n Siarad</i> her translation of the <i>Vagina Monologues</i> won the <b>Theatre In Wales</b> award for best production in 2004. <i>Gwaun Cwm Garw</i> her adaptation of <i>The Laramie Project </i>was toured by <b>Theatr Bara Caws</b> and <i>Gwlad Yr Addewid</i> her adaptation of <i>House of America</i> was toured by <b>Theatr Genedlaethol</b> 2011. <i>Myfanwy yn y Moorlands</i> was presented by the <b>Sherman Cymru</b> as part of <b>Amrwd/Raw</b> in 2013.</div>
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Sharon has also worked on television- on the period drama <i>Palmant Aur </i>(<b>Opus Films S4C</b>), as well as adapting <i>Cowbois ac Injans</i> (<b>Rondo S4C</b>), <i>Caerdydd, Y Pris, Y Gwyll/Hinterland </i>(<b>Fiction Factory S4C</b>) and <i>Y Syrcas</i> (<b>FFatti Films S4C</b>)</div>
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Her radio work includes episodes of the <b>Radio Cymru</b> daily soap -<i>Ponty, the Trilogy of Identity, Alltud Calon</i>, based on the life of the actress Rachel Roberts, and <i>Ar Lan Aberalaw</i> about the women of the Mabinogion.</div>
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Sharon has two children, Steffan and Saran and lives in Cardiff.</div>
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Ar ol cwblhau gradd mewn Hanes o Brifysgol Cymru Caerdydd yn 1970, ymunodd Sharon a cwrs hyfforddi Cwmni Theatr Cymru ym Mangor. Ers hynny mae hi wedi bod yn bresenoldeb cyfarwydd ar deledu ffilm radio a theatr yn Gymraeg, Saesneg a weithiau Ffrangeg, yng Nghymru rhan fwya, ond hefyd yn Lloegr o bryd i'w gilydd. Mae Sharon yn aelod gwreiddiol o bedair cwmni theatr. Theatr Bara Caws 1977 Hwyl a Fflag(Sgwar Un) 1982 Fiction Factory(Y Cwmni) 1988 Rhosys Cochion 1997.</div>
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Mae Sharon wedi ennill tair gwobr actores orau BAFTA Cymru ; Mary- alcoholic,yn Tair Chwaer, Gaucho Films S4C 1998, Martha, ffarmwraig, yn Martha Jac a Sianco, Apollo, S4C 2008, a Maggie Jones, matriarch, Resistance, Big Rich Films 2011; cafodd ei henwebu am ei pherfformiad fel Rebecca, menyw o'r cymoedd yn Utah Bride, cwmni theatr1.618, yng ngwobrwyon cynta'r Beirniaid Ifanc 2013.</div>
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Dechreuodd Sharon ysgrifennu yn 1994, pan addasodd hi Monologue gan Simone De Beauvoir, a'i berfformio o dan y teitl Gobeithion Gorffwyll. Dilynwyd hyn gan All That You Have Is Your Soul, fel rhan o Dangerous Women of The Mabinogi i'r Sherman 1997 a gan ei thrioleg hunaniaeth, tair sioe un-menyw- Ede Hud 1997, Holl Liwie'r Enfys 2006, a Trafaelu ar Y Tren Glas 2008. Teithiodd ei drama, Dreaming Amelia, wedi ei ysbrydoli gan laniad Amelia Earhart's landing ar arfordir gorllewin Cymru ym Mhwll, Shir Gar, trwy Cymru a Lloegr yn 2002(Theatr Hi-jinx ). Enillodd Shinani'n Siarad, ei chyfieithiad o'r Vagina Monologues, gwobr Theatr yng Nghymru am y cynhyrchiad gore yn 2004. Teithiwyd Gwaun Cwm Garw, ei addasiad o The Laramie Project gan Theatr Bara Caws yn 2009 a teithiwyd Gwlad Yr Addewid, ei addasiad o House of America gan y Theatr Genedlaethol yn 2011. Cyflwynwyd Myfanwy yn y Moorlands gan Sherman Cymru fel rhan o Amrwd/Raw yn 2013.</div>
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Mae Sharon hefyd wedi gweithio ar y teledu- ar y ddrama gyfnod Palmant Aur(Opus Films S4C), ac addasiadau o Cowbois ac Injans (Rondo S4C), Caerdydd, Y Pris, Y Gwyll/Hinterland(Fiction FactoryS4C) a Y Syrcas(FFatti Films S4C)</div>
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Mae ei gwaith radio yn cynnwys pennodau o sebon ddyddiol Radio Cymru -Ponty,(1999) y Trioleg Hunaniaeth, Alltud Calon 2008, wedi seilio ar fywyd yr actores Rachel Roberts, ac Ar Lan 2011 am fenywod y Mabinogion.</div>
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Mae gan Sharon ddau o blant , Steffan a Saran ac mae'n byw yng Nghaerdydd.</div>
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<tr><td class="tr-caption" style="text-align: center;">Kaite O'Reilly</td></tr>
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Kaite O'Reilly has won many awards for her work including the <b>Peggy Ramsay Award, M.E.N. best play of the year</b> and the <b>Ted Hughes Award for New Works in Poetry</b> for her version of Aeschylus’s ‘<i>Persians</i>’ for <b>National Theatre Wales</b>. In 2012 she received two <b>Cultural Olympiad Commissions</b> for ‘<i>In Water I’m Weightless</i>,’ produced by <b>National Theatre Wales/South Bank Centre </b>as part of the official festival celebrating the London Olympics/Paralympics. In 2014 she has productions in translation in Estonia, Belgium, Taiwan, and Hong Kong, and a UK tour of ‘<i>Woman of Flowers</i>’, her retelling of the Mabinogion’s Blodeuwydd for Forest Forge. The premiere of <i>Playing the Maids</i> with <b>Theatre P’Yut </b>(Korea), <b>Gaitkrash</b> (Ireland) and <b>The Llanarth Group </b>(Wales) will premiere in Cardiff in early 2015. She has written extensively for radio and is now completing her first novel, <i>A Sky Without Stars</i>. She will begin work on her second novel in 2015, thanks to a <b>Literature Wales</b> bursary. Further information can be found at <a href="http://e3.kickstarter.com/wf/click?upn=rLOJiJuypJywMXTjN-2Fb3EArux9kDHQEDRsXvUzHd7zr6gfi5scBt-2BDbVc3bfuXZf_gcC1A113ksnYQe7DtQCr-2F5rCu8QqtzrCXEd-2BhtLwKpGGHHZ3vaN-2Bwsj70HlLPJ59wxvSHQUWyOXNV6IAsMDlScvROMYeoYLjv93QmktBpVTlONHARv28RfMH-2BIGRLbgnhkBHJ8-2Bpbtn1dVaHAd63HWCi0JVpDkwgUUE8HskuKJOZ9PWmpkAPEzRFhT1l3te4pWaFwoTD1sBgN7FbP5fl2SVTB2Iw4CRUx6xux1KBYqWT5Wl5frTATIsDYTCClImM3W4gpSeb4V8hHrItFxt7DutnSuUpSI9EzGTtM-2BgyBANRHD8ayjWYtk-2FJSoM-2BT-2F-2FfbLRtr5RgaLMNKLWcBWW7IHKbHdeM6Em-2F6-2FiRE84FW9U2S26XVtQ5G9glydP5UjmJMhWYahRMASYGWdRjNJAy0676SOoR6DZWBfHYKm4E2XN-2BHvTfvxFsdE-2BrzPDXKu7BRi15-2ByVHn6FU8Yrt-2F81vi49BSzDEG3AlqMqiiv57O27-2FB5-2FynbwsewBN9TTOUuMbGfvbWos6zOhJ7w-2F6t6K5VNSTZk61WHzW9S7nbWOWOE0qBUrrB366PFIIAHEpCf25PwhWwHYp88udv2RWMd9xM8R60Mbm89b-2BAZv3z-2FgcusCCKghc7-2BUyHz1XC8CQfrLnIx9al-2F71U7CJ9KrINZ2sALwmUembGT9iTE3S6nHrrb-2BfdYv-2FS65KsnJmXVt6mptGCAr7Gt-2F1sfVdW-2FhR0xvcv7sf6XVVetngossSpZukmakURnCrr0TgHORNUGtHOIGiHpuOU3PU2fJW5EFBuTnYABXXMBQY4pJKzYlEbGVwiIDeJJ48IjJbRokF-2Fzij1E8H11"><span class="s1">www.kaiteoreilly.com</span></a> She blogs about creativity and process at <span class="s1"><a href="http://e3.kickstarter.com/wf/click?upn=rLOJiJuypJywMXTjN-2Fb3EHfCXYZbpn1WEkaGEwYSk9csUBg9Su2B-2BVhGP-2BgPmJYw_gcC1A113ksnYQe7DtQCr-2F5rCu8QqtzrCXEd-2BhtLwKpGGHHZ3vaN-2Bwsj70HlLPJ59wxvSHQUWyOXNV6IAsMDlScvROMYeoYLjv93QmktBpVTlONHARv28RfMH-2BIGRLbgnhkBHJ8-2Bpbtn1dVaHAd63HWCi0JVpDkwgUUE8HskuKJOZ9PWmpkAPEzRFhT1l3te4pWaFwoTD1sBgN7FbP5fl2SVTB2Iw4CRUx6xux1KBYqWT5Wl5frTATIsDYTCClImM3W4gpSeb4V8hHrItFxt7DutnSuUpSI9EzGTtM-2BgyBANRHD8ayjWYtk-2FJSoM-2BT-2F-2FfbLRtr5RgaLMNKLWcBWW7IHKbHdeM6Em-2F6-2FiRE84FW9U2S26XVtQ5G9glydP5UjmJMhWYahRMASYGWdRjNJAy0676SOoR6DZWBfHYKm4E2XN-2BHvTfvxFsdE-2BrzPDXKu7BRi15-2ByVHn6FU8Yrt-2F81vi49BSzDEG3AlqMqiiv57O27-2FB5-2FynbwsewBN9TTOUuMbGfvbWos6zOhJ7w-2F6t6K5VNSTZk61WHzW9S7nbWOWOE0qBUrrB366PFIIAHEpCf25PwhWwHYp88udv2RWMd9xM8R60Mbm89b-2BAZv3z-2FgcusCCKghc7-2BUyHz1XC8CQfrLnIx9al-2F71U7CJ9KrINZ2sALwmUembGT9iTE3S6nHrrb-2BfdYv-2FS65KsnJmXVt6mptGCAr7Gt-2F1sfVdW-2FhR0xvcvz37mPosh5vjUnqy4eHtLTpXCSJ68dN6lpMlqZe8vJuxuqtW5xyoUnYQkQE-2FQcXQfHizvsgARa3raAJWuATBPI32XnmzU0Kf0HMMGz790NL9">www.kaiteoreilly.wordpress.com</a></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD1apcRFRf4ZSnNdlWMA4iMH3gbALwdoJedtSg5SUPaK1QRm1xJsJM4jm64z7wyeE3a_p0uR8S-X6kGw_auSI6ADJAULJ8fEivjUIhb21Cl41DEgds6VzxH6ET3Y09_8xhE7yV3ki7ebDe/s1600/LisaParry.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD1apcRFRf4ZSnNdlWMA4iMH3gbALwdoJedtSg5SUPaK1QRm1xJsJM4jm64z7wyeE3a_p0uR8S-X6kGw_auSI6ADJAULJ8fEivjUIhb21Cl41DEgds6VzxH6ET3Y09_8xhE7yV3ki7ebDe/s1600/LisaParry.jpg" height="400" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lisa Parry</td></tr>
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Lisa is a freelance writer based in Cardiff. Her plays have been performed across the UK and also in New York and she has worked with leading new writing theatre companies including <b>Dirty Protest, the Miniaturists</b> and <b>PopUp Theatrics</b>. Play credits include: <i>Untitled</i> (<b>Sherman Swingers</b> 2013), <i>Dark Frequencies</i> (<b>TACT Studio</b>, Broadway, NYC), <i>Butterfly Fugue</i> (<b>Sherman Cymru</b> as part of Egin: Springboard), <i>Not A Death Knock</i> (<b>Dirty Protest</b>), <i>March SW3</i> (Arcola, as part of <b>Miniaturists</b> 23), <i>Waterbaby</i> (<b>Martin E. Segal</b>, NYC). Lisa completed <b>Sherman Cymru</b>’s writing course and advanced writing course, led by Alan Harris. She was also selected for <b>Travelling Light II</b> in Aberystwyth where she was mentored by Kaite O’Reilly. Prize credits include: winner of the <b>MokitaGrit playwriting competition</b>; finalist in <b>The Internationalists' playwriting competition</b>; finalist in <b>The King's Cross Award</b>; finalist in <b>The Ronald Duncan Award</b>; finalist in <b>Stellar Network's international plays in progress competition.</b> Lisa’s poetry and prose has also been widely published in leading magazines, including <b>Magma</b>, <b>Orbis</b> and <b>The Haiku Quarterly</b>. In 2013, she was awarded a financial award from <b>Literature Wales</b> to work towards her first poetry collection.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWXbcQke4Nnc-fe6041he2Gc4_9NZIWrY8SRFYRdhUhHQrytoYZuo1-Gj1E9WlpOGBTbZzzlzUh9K747LDQx-1paeVJkHanIP1mRrcVONzx2hSpTb8zfFbVLI-_l3uhCKlGT6UyLV-NVS_/s1600/mags.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWXbcQke4Nnc-fe6041he2Gc4_9NZIWrY8SRFYRdhUhHQrytoYZuo1-Gj1E9WlpOGBTbZzzlzUh9K747LDQx-1paeVJkHanIP1mRrcVONzx2hSpTb8zfFbVLI-_l3uhCKlGT6UyLV-NVS_/s1600/mags.jpg" height="293" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Marged Parry</td></tr>
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Marged’s plays include: <i>Y Parti Olaf</i> (<b>Dirty Protest</b>, Tafwyl, 2014), <i>Holes in the Drama</i> (<b>Sherman Swingers,</b> 2013), <i>Traed Bach Concrit</i> (<b>Sherman Cymru</b>, Trwy’r Ddinas hon, 2013; translates as “<i>Little Concrete Feet</i>"), <i>The Welsh Atlantis</i> (<b>Undeb Theatre</b>, Latitude, 2012), <i>Megaffon</i> (<b>Dirty Protest</b>, Gwyl Tafwyl, 2012; translates as “<i>Megaphone</i>”, <i>The Sweet Shop Standoff </i>(<b>Agent 160</b>, Agent 160 presents… 2012), <i>Yr Ystafell Gyfweld</i> (<b>Sherman Cymru</b>, Sgript Slam, 2011; translates as “<i>The Interview Room</i>”) and <i>The Demise of Photocopy Boy</i> (<b>Dirty Protest</b>, Dirty Protest's Christmas Party, 2011). Her poems have been read on <b>Radio Cymru</b> and her work published in the Welsh literary magazine <b>Tu Chwith</b>. She recently had two short stories published in a horror publication <b>The Ghastling</b>. Marged was Assistant Director on the Sherman's new writing project, <b>Cityscape</b> in 2010. She worked as an Assistant Producer on <b>Mosgito</b> - a Welsh language magazine programme for teenagers before moving on to work as a Marketing and Communications Officer for BBC Cymru Wales' flagship soap opera, <b>Pobol y Cwm</b>. She then worked on Pobol y Cwm as an Assistant Script Editor for a year before she secured her current role as Story Editor.</div>
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<tr><td class="tr-caption" style="text-align: center;">Lindsay Rodden</td></tr>
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Lindsay Rodden is a writer and dramaturg. Recent writing work has included <i>Letters</i> (<b>The Miniaturists / Cornerstone Festival</b>), <i>The Almond Tree</i> (<b>State of Wonder / Everyword</b>), and <i>Endz</i> (a verbatim play created with dramaturg Suzanne Bell for<b> Liverpool Everyman Theatre</b> which toured Liverpool in 2011). Recent dramaturgy includes <i>My Life in Dresses</i> (<b>Project Arts Centre, Dublin</b> / national tour), and <i>Why Do All Catherines Call Themselves Kate?</i> (<b>One Small Step</b> / Edinburgh Fringe). She founded <b>Almanac</b> in 2009 with playwright / songwriter Lizzie Nunnery, producing, directing and writing adventurous collaborations with writers, musicians and other artists and theatre makers. Their most recent shows include bringing together over thirty artists to make <i>Radical City: A Happening on Hope Street</i> (<b>Everyman</b>, April 2011); and <i>Stories in the Walls</i>, a site-specific commission for <b>Un-convention Tyneside</b> in the thirteenth century Morden Tower, Newcastle-upon-Tyne (June 2011). Lindsay was born in Edinburgh . She has mainly lived in Buncrana, Co. Donegal, where her family are from, and in Liverpool, where she currently works for the <b>Everyman</b> and <b>Playhouse Theatres</b>. </div>
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<tr><td class="tr-caption" style="text-align: center;">Shannon Yee</td></tr>
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Shannon Yee is a biracial writer who’s been living in Belfast since 2004. While in NI, she has had the pleasure to work with <b>Replay Productions, Accidental Theatre, Assault Events, skewiff theatre company, TheatreofplucK, 25Belfast, Hanna Slättne</b> (<b>Tinderbox</b>), and <b>Paul Stapleton</b> (<b>SARC</b>). She has received awards from the <b>Arts Council NI, Arts & Disability Forum, the Tyrone Guthrie Centre</b>, and the <b>James Baldwin Playwriting Award</b>. Earlier this year, Shannon secured a <b>Wellcome Trust Small Arts Award </b>to complete her theatrical sonic arts-based trip for a headphone-wearing audience in hospital beds about her experience of nearly dying and recovering with an acquired brain injury. She was on the <b>Royal Court Theatre’s National Playwriting Group</b> (London), <b>Fishamble/Pavilion Theatre’s Playwriting Mentoring Program</b> (Dun Laoghaire), and is currently a <b>HATCH</b> artist at <a href="http://e3.kickstarter.com/wf/click?upn=rLOJiJuypJywMXTjN-2Fb3EBKjIMmPdFdv-2B-2FkOxUY7J8M-3D_gcC1A113ksnYQe7DtQCr-2F5rCu8QqtzrCXEd-2BhtLwKpGGHHZ3vaN-2Bwsj70HlLPJ59wxvSHQUWyOXNV6IAsMDlScvROMYeoYLjv93QmktBpVTlONHARv28RfMH-2BIGRLbgnhkBHJ8-2Bpbtn1dVaHAd63HWCi0JVpDkwgUUE8HskuKJOZ9PWmpkAPEzRFhT1l3te4pWaFwoTD1sBgN7FbP5fl2SVTB2Iw4CRUx6xux1KBYqWT5Wl5frTATIsDYTCClImM3W4gpSeb4V8hHrItFxt7DutnSuUpSI9EzGTtM-2BgyBANRHD8ayjWYtk-2FJSoM-2BT-2F-2FfbLRtr5RgaLMNKLWcBWW7IHKbHdeM6Em-2F6-2FiRE84FW9U2S26XVtQ5G9glydP5UjmJMhWYahRMASYGWdRjNJAy0676SOoR6DZWBfHYKm4E2XN-2BHvTfvxFsdE-2BrzPDXKu7BRi15-2ByVHn6FU8Yrt-2F81vi49BSzDEG3AlqMqiiv57O27-2FB5-2FynbwsewBN9TTOUuMbGfvbWos6zOhJ7w-2F6t6K5VNSTZk61WHzW9S7nbWOWOE0qBUrrB366PFIIAHEpCf25PwhWwHYp88udv2RWMd9xM8R60Mbm89b-2BAZv3z-2FgcusCCKghc7-2BUyHz1XC8CQfrLnIx9al-2F71U7CJ9KrINZ2sALwmUembGT9iTE3S6nHrrb-2BfdYv-2FS65KsnJmXVt6mptGCAr7Gt-2F1sfVdW-2FhR0xvcv5ARWdTkEfSq-2FRPbXsH0QO-2BdUAX7azR7Vro6fwWOBiVllhOqR8J6qfltjOIbDTyXSBZo9z3TZlnub1mQkaHwwUcJ0mnHJVU31g7wbqXnM14AWC5EkMJrlHVTBfG7"><span class="s1"><b>The MAC</b></span></a> in 2014/15</div>
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So there we have it, now you know our playwrights a bit better! </div>
Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-82450038802811882532014-08-13T17:29:00.003+01:002014-08-13T17:29:47.981+01:00Five more of our Fun Palaces playwrights<br />
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We bring to you the second installment of our fantastic playwrights who are currently poring over their scripts for our Fun Palace in Wales. So without further ado, here we go...</div>
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<tr><td class="tr-caption" style="text-align: center;">Abigail Docherty</td></tr>
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Abigail is currently <b>Pearson Playwright</b> in residence at the <b>Tron</b> in Glasgow. Her play <i>Sea and Land and Sky</i> won the Tron's <b>OPEN STAGE award</b> and is published by <b>Methuen Drama</b>. Other work includes <i>Four Parts Broken</i> (<b>National Theatre of Scotland</b>), <i>One Thousand Paper Cranes</i> (<b>Tron / Imaginate International Children’s Festival</b>) and <i>Room</i> (<b>Tron</b>). <b>BBC Radio 4</b> plays include <i>Ursula</i> and <i>Boy </i>and<i> Goblin Market</i>.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZzFmRK00w_vQcOQIwe1KnohnE733Oa1YABPzUnt8dOCuuCQm_7AwOPOY1r1yJHCjVKRmWgVxFxk_vnE47z1EJvDaBQ1YQCHXr4hPIOKl0NKEKaCHoj_t5HzuwDUXeKqxmmqTKSumO-SYF/s1600/Clare+headshot.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZzFmRK00w_vQcOQIwe1KnohnE733Oa1YABPzUnt8dOCuuCQm_7AwOPOY1r1yJHCjVKRmWgVxFxk_vnE47z1EJvDaBQ1YQCHXr4hPIOKl0NKEKaCHoj_t5HzuwDUXeKqxmmqTKSumO-SYF/s1600/Clare+headshot.jpg" height="266" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Clare Duffy</td></tr>
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Clare is a playwright and director. She teaches at <b>Glasgow University</b> and is a co-director of <a href="http://e3.kickstarter.com/wf/click?upn=rLOJiJuypJywMXTjN-2Fb3EPMoAlAmUdJKXnHPqI6gBKqacY1XAT4Ka-2Bk9H9jxU0q4_gcC1A113ksnYQe7DtQCr-2F5rCu8QqtzrCXEd-2BhtLwKpGGHHZ3vaN-2Bwsj70HlLPJ59wxvSHQUWyOXNV6IAsMDlScvROMYeoYLjv93QmktBpVTlONHARv28RfMH-2BIGRLbgnhkBHJ8-2Bpbtn1dVaHAd63HWCi0JVpDkwgUUE8HskuKJOZ9PWmpkAPEzRFhT1l3te4pWaFwoTD1sBgN7FbP5fl2SVTB2Iw4CRUx6xux1KBYqWT5Wl5frTATIsDYTCClImMSYLtD-2BlDAZfNl42trx9iNh7ERXio3aa8IEsw5KLmO0CRBE0gYLMKoSZXBngMJFXMab7SC-2BvPZgGysJzyEBgN3bB6by6VsrKCHioGn9LkVuG-2BQ2k3wmBObmzRwhvMQVH8Vr2YMtXSVnQLK0RosZGXY5-2BuTyrsj7QxdGAhak4IEtDOc7dZl8ojxqak2hBo8sy-2Bf3eXIjsgcAq-2FnKz0od4r8LAD59kwzUz4lxdIUrh8AHbCg1S7BD5j-2BmJCjTNqLsFhkFxFb19dVBqQPGBwrQBvRbAIHV07c97Daff9CGy27Mrp1bBk7VIDGHXDCp-2FXTGm-2F9ex3JGILTgCL-2F849PTddQNS7OlrR0DCq4GDPBQZdFj-2FphkNHB-2BRJ6RK0Zx0JObb-2FNR21hCWwNqMePBokHpIIjxCgeNEYrPzR3UHtYJVl4TQy2DDZzU-2F-2FqL-2Ftf3ft2TXWNxnUVvfrvcN-2FSsOExXJAPTloi9rpZ8X0VhsBIt96kmhV65C04aF9h0IsVDmoUf99k1OBPON6kyi2cuRLJcc-2BtweoT-2FvwhU6BhjhGNESXgWJ-2Fc4LdVo-2FTA9ziX8H9KDMiDl04Nl"><span class="s1"><b>Unlimited Theatre</b></span></a>. Clare is currently Artist In Residence at <b>Summerhall Arts Centre</b>, Edinburgh, an Associate Playwright at <b>Playwrights’ Studio</b>, Scotland and has just been announced as the new <a href="http://e3.kickstarter.com/wf/click?upn=rLOJiJuypJywMXTjN-2Fb3EEZ3ilPtTQ-2BJUtA5DE2DUJ8c3AmF6lGyyqEWmQ4sxonFtrHHhjJOqylzDk4V3wYqGg0d7Bkm2Z-2BXA57AnxMsJC1lgi6on0YB89gpPVNV39Qf_gcC1A113ksnYQe7DtQCr-2F5rCu8QqtzrCXEd-2BhtLwKpGGHHZ3vaN-2Bwsj70HlLPJ59wxvSHQUWyOXNV6IAsMDlScvROMYeoYLjv93QmktBpVTlONHARv28RfMH-2BIGRLbgnhkBHJ8-2Bpbtn1dVaHAd63HWCi0JVpDkwgUUE8HskuKJOZ9PWmpkAPEzRFhT1l3te4pWaFwoTD1sBgN7FbP5fl2SVTB2Iw4CRUx6xux1KBYqWT5Wl5frTATIsDYTCClImMSYLtD-2BlDAZfNl42trx9iNh7ERXio3aa8IEsw5KLmO0CRBE0gYLMKoSZXBngMJFXMab7SC-2BvPZgGysJzyEBgN3bB6by6VsrKCHioGn9LkVuG-2BQ2k3wmBObmzRwhvMQVH8Vr2YMtXSVnQLK0RosZGXY5-2BuTyrsj7QxdGAhak4IEtDOc7dZl8ojxqak2hBo8sy-2Bf3eXIjsgcAq-2FnKz0od4r8LAD59kwzUz4lxdIUrh8AHbCg1S7BD5j-2BmJCjTNqLsFhkFxFb19dVBqQPGBwrQBvRbAIHV07c97Daff9CGy27Mrp1bBk7VIDGHXDCp-2FXTGm-2F9ex3JGILTgCL-2F849PTddQNS7OlrR0DCq4GDPBQZdFj-2FphkNHB-2BRJ6RK0Zx0JObb-2FNR21hCWwNqMePBokHpIIjxCgeNEYrPzR3UHtYJVl4TQy2DDZzU-2F-2FqL-2Ftf3ft2TXWNxnUVvfrvcN-2FSsOExXJAPY0hQttaffibRshlIJLm1MI4-2B4hOFkTOFlymxgb4DTGuc-2BhMZgIv"><span class="s1"><b>ISAH/Traverse Theatre Fellow</b></span></a><b>.</b></div>
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She will be bringing <i>Play Dough</i>, a ‘re-mix’ of <i>Money: The Game Show</i> to the <b>Edinburgh Fringe 2014</b> as part of the <b>Made In Scotland</b> showcase.</div>
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Clare wrote and directed <i>Money: The Game Show</i>, in 2013 which was a co-production between <b>Unlimited Theatre</b> and <b>The Bush</b>. 'This playful, thoughtful and riotously entertaining piece is right on the money'. ****The Guardian ‘clever and remarkably understandable’ ‘ingenious’. New York Times. ****Financial Times & Scotsman. The play is published by <b>Oberon Books</b> and is scheduled to be remounted in Seoul, South Korea 2014. </div>
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Clare won a <b>Pearson Award</b> for her first full-length play, <i>Crossings</i> in 2003, which was published and toured the UK in 2005. (**** The Scotsman) This led to her being Writer In Residence at the <b>West Yorkshire Playhouse</b> 2004. Clare has also written drama for Radio 4 and co-wrote <i>ANA</i>, a bi-lingual play for <b>Stella Quines</b> and <b>Imago Theatre</b>, with Pierre-Yves Lemieux, which opened in Montreal in November 2011 and toured Scotland in Spring 2012 (**** Scotsman & Herald). She wrote <b>The Cbeebies Christmas Carol </b>2013 and is very much looking forward to <b>Magnetic North</b>’s production of her play <i>Some Other Stars</i> in the autumn of 2014 about a man with ‘locked-in’ syndrome.</div>
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Clare has lived in Tollcross, Edinburgh for 10 years and helps out in her partner’s wine shop when it’s busy.</div>
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<tr><td class="tr-caption" style="text-align: center;">Samantha Ellis</td></tr>
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Samantha is a playwright and journalist and her first non-fiction book, <i>How To Be A Heroine</i>, is published by <b>Chatto & Windus</b>; Nigella Lawson<b> </b>said it was “All the books I love, remembered”, the Observer called it “fantastically inspirational”, and the Scotsman called it “a life-affirming feminist text".</div>
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Her previous plays include <i>Cling To Me Like Ivy</i> (<b>Birmingham Rep</b> and on tour), <i>The Thousand and Second Night</i> (<b>LAMDA</b>), <i>Startle Response</i> (<b>Young Vic</b> workshop production), <i>Martin’s Wedding</i> (<b>Blind Summit/BAC</b>), <i>Patching Havoc</i> (<b>Theatre 503</b>) and <i>Sugar and Snow</i> (<b>Radio 4</b> and <b>Hampstead Theatre</b> showcase). The Guardian called <i>Cling To Me Like Ivy,</i> “funny, sad and compassionate...that genuinely rare beast, a popular comedy with heart, brains and the stomach to make some difficult choices”. She has also written short plays for <b>Menagerie Theatre</b>, <b>The Miniaturists</b>, <b>Liverpool Everyman</b>, <b>Agent 160</b>, <b>Pursued by a Bear</b> and <b>Floodtide</b>.</div>
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She is a <b>MacDowell Colony Fellow</b>, and has been in residence at <b>Metal</b>, and on attachment at the <b>Soho Theatre</b>, <b>Birmingham Rep</b>, <b>Hampstead Theatre</b> and the <b>Unicorn Theatre</b>. Her play <i>Anatomical Venus</i>, an immersive thriller set in 1850s London, will be produced by <b>Goat and Monkey Theatre</b> in 2015. This September, <b>Urgent Theatre </b>is producing her <i>Starlore for Beginners and other short plays </i>at Theatre 503.</div>
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<tr><td class="tr-caption" style="text-align: center;">Sarah Grochala</td></tr>
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Sarah studied on the MPhil in Playwriting Studies at <b>Birmingham University</b> and has been recognised as one of the course’s most distinguished graduates. Before turning to writing, she worked as an actress for many years, playing roles in the West End and in television drama. Her play <i>S-27</i> (published by <b>Oberon</b>) won the 2007 <b>Protect the Human Playwriting Competition</b> and was also shortlisted for <b>The King’s Cross Award</b> and the <b>Leah Ryan Prize for Emerging Women Writers</b>. <i>S-27</i> premiered at the <b>Finborough Theatre</b> in June 2009 and was a <b>Time Out Critics Choice</b>. The play was revived at the <b>Griffin Theatre</b> in Sydney in March 2010 (Time Out Sydney Critics Choice) and at the <b>Annex Theatre</b> in Toronto in 2012. Sarah was the winner of the 2011 <a href="http://offwestend.com/"><span class="s1"><b>OffWestEnd.Com</b></span></a><b> Adopt a Playwright Award</b> for her play <i>Smolensk</i>, which is currently in production with <b>Snapdragon Productions</b>. </div>
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Her writing has been supported by the <b>RSC</b>, the <b>National Theatre Studio</b> and the <b>Peggy Ramsay Foundation</b>. Sarah is currently an associate artist with <b>Headlong</b> and Lecturer in Writing for Theatre at the <b>Royal Central School of Speech and Drama</b>. Of her short play for <b>Agent 160</b> in 2012, <i>The Red Shoes</i>, the Guardian wrote “Director Abigail Graham and performer Jennifer Jackson make the most of Sarah Grochala's The Red Shoes, an astonishingly direct yet poetic piece of writing, a perfect miniature that explores desire and madness in London's Westfield shopping centre.” </div>
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<tr><td class="tr-caption" style="text-align: center;">Katie McCullough</td></tr>
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Katie McCullough is a graduate of <b>Bournemouth Media School</b> and the <b>Royal Court Theatre</b>, London. She's a playwright, screenwriter and founder of <b>Festival Formula</b>; a consultancy company focusing on filmmakers that covers film festival strategy, social media presence, and crowdfunding consultancy. Her plays have been performed at: <b>the ICA, Theatre503, Southwark Playhouse, Old Vic Tunnels, Arcola,</b> <b>the BAC</b>, and more. She’s received funding from <b>Arvon Foundation</b> and support from the <b>ICA Lab</b> as well as mentoring from the <b>Blaine Brothers, Leo Butler, Polly Clark</b> and <b>Simon Stephens</b>. Katie has worked with several companies to create one-on-one theatrical experiences and also site specific narratives. Her plays include <i>Ella_OMalley_Audition.mov </i>(Miniaturists, <b>Arcola</b>, 2014), <i>Dropped Sequins</i> (UK Centre for Carnival Arts, 2013), <b>London Pride</b> (Wandsworth Arts Festival, 2013) and <i>The Story Project</i> (Ugly Sister Productions, <b>Arcola/Southwark Playhouse/Theatre503</b>, 2012). See her <a href="http://e3.kickstarter.com/wf/click?upn=rLOJiJuypJywMXTjN-2Fb3EAW39HhBXwtwqQpt0gUO-2BYj1ActBiDZf3K8CaA4odcGp_gcC1A113ksnYQe7DtQCr-2F5rCu8QqtzrCXEd-2BhtLwKpGGHHZ3vaN-2Bwsj70HlLPJ59wxvSHQUWyOXNV6IAsMDlScvROMYeoYLjv93QmktBpVTlONHARv28RfMH-2BIGRLbgnhkBHJ8-2Bpbtn1dVaHAd63HWCi0JVpDkwgUUE8HskuKJOZ9PWmpkAPEzRFhT1l3te4pWaFwoTD1sBgN7FbP5fl2SVTB2Iw4CRUx6xux1KBYqWT5Wl5frTATIsDYTCClImMSYLtD-2BlDAZfNl42trx9iNh7ERXio3aa8IEsw5KLmO0CRBE0gYLMKoSZXBngMJFXMab7SC-2BvPZgGysJzyEBgN3bB6by6VsrKCHioGn9LkVuG-2BQ2k3wmBObmzRwhvMQVH8Vr2YMtXSVnQLK0RosZGXY5-2BuTyrsj7QxdGAhak4IEtDOc7dZl8ojxqak2hBo8sy-2Bf3eXIjsgcAq-2FnKz0od4r8LAD59kwzUz4lxdIUrh8AHbCg1S7BD5j-2BmJCjTNqLsFhkFxFb19dVBqQPGBwrQBvRbAIHV07c97Daff9CGy27Mrp1bBk7VIDGHXDCp-2FXTGm-2F9ex3JGILTgCL-2F849PTddQNS7OlrR0DCq4GDPBQZdFj-2FphkNHB-2BRJ6RK0Zx0JObb-2FNR21hCWwNqMePBokHpIIjxCgeNEYrPzR3UHtYJVl4TQy2DDZzU-2F-2FqL-2Ftf3ft2TXWNxnUVvfrvcN-2FSsOExXJAPVSkEB-2Fu0DdVaUSg3rE0knwUwJBTetzqUm1epO8pVmXmFkEacNpUt84AEwxzem6NbBLGM1GTRiQnkH9zdfrxowQuVdpDl-2BsacjJuBUkjCzpvhh9qtJy6J5"><span class="s1">website</span></a> for more information. </div>
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So there's the second wave of playwrights for you, and STILL we have six more to delight you with. And we can also shout that we're now at <b>73%</b> of our goal. AMAZING! We still have a bit to go, and we're happy that <a href="https://www.kickstarter.com/projects/agent160/you-can-help-make-agent-160s-fun-palace-in-wales-h" target="_blank">we have time left on the Kickstarter clock to make it happen. So thank you for helping to make it happen if you've already pledged... And if you haven't pledged yet, <i>there's still time!</i></a></div>
Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-28307686842002327852014-08-12T08:58:00.000+01:002014-08-12T08:58:00.093+01:00Some reading...<span style="background-color: white; font-family: Arial, Helvetica, sans-serif;">If you haven't already, do <a href="http://kaiteoreilly.wordpress.com/2014/08/10/agent-160-and-joan-littlewoods-fun-palaces/" target="_blank">read our patron Kaite O'Reilly on why she's writing a play for our Fun Palace</a>, and why "<span style="line-height: 23.799999237060547px;">Austerity is not a time for imaginations to become small, or the arts to be crushed."</span></span><br />
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<span style="background-color: white; font-family: Arial, Helvetica, sans-serif;"><span style="line-height: 23.799999237060547px;">Our <a href="http://lisafparry.blogspot.co.uk/2014/08/ive-been-bitquiet-on-blogging-front.html" target="_blank">founder Lisa Parry's also written about Fun Palaces here</a> and how she's "</span><span style="line-height: 20.020000457763672px;">overflowing with enthusiasm for Littlewood's legacy. It's criminal there isn't more written about her. It's criminal her autobiography is currently out of print."</span></span><br />
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<span style="background-color: white; line-height: 20.020000457763672px;"><span style="font-family: Arial, Helvetica, sans-serif;">And <a href="http://www.samanthaellis.me.uk/2014/08/agent-160-fun-palace.html" target="_blank">here's Samantha Ellis on how she's been inspired by Littlewood</a> and how amazing it has been to be part of a collective of female playwrights.</span></span>Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-12376165822450347472014-08-11T16:58:00.003+01:002014-08-11T16:58:33.289+01:00Announcing...the first five of our Fun Palaces playwrights
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As we write, all of our playwrights are writing their Fun Palaces plays. So we thought this would be the perfect opportunity to introduce them this week. The first five to welcome are...</div>
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<tr><td class="tr-caption" style="text-align: center;">Branwen Davies</td></tr>
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Branwen is a playwright who writes in Welsh and English. She has written for <b>Theatr Genedlaethol Cymru</b>, <b>Sherman Cymru</b>, <b>Living Pictures</b>, <b>Undeb Theatre</b>, <b>Dirty Protest</b>, <b>Agent 160</b> and <b>True Fiction Theatre Company</b>. Branwen is currently a PhD student at Aberystwyth University. </div>
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<tr><td class="tr-caption" style="text-align: center;">Sandra Bendelow</td></tr>
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Sandra is a writer and theatre producer. As a writer, she works in all mediums: theatre, radio, TV, film and is currently exploring cross-platform presentation of work including web and social media interfaces. <br />
Her short monologue, <i>One Hour and Forty Five Minutes</i>, written for <b>Dirty Protest Theatre</b>'s plays-in-a-bag project was produced at the <b>Royal Court</b>, <b>Theatre Clwyd</b> and <b>National</b> <b>Theatre Wales</b>' Dirty Gifted and Welsh. Her short audio drama <i>Cursed</i> was produced for <b>EarCandy</b>. Her TV Script <i>Dead Gran Walking</i> was placed top 12 (of 250) in <b>BBC Drama Wales Award</b> and top 25 (of 2,500) <b>Red Planet Television Prize</b> in 2012. She was selected for <b>Spread The Word, Sherman Cymru</b> scheme for emerging writers 2012 and selected for the <b>Ty Newydd Mentoring Project</b> with Kaite O'Reilly. She is currently working on a seed commission for <b>National</b> <b>Theatre Wales</b> and a Christmas play for <b>Dirty Protest Theatre</b>. She is also developing a cross disciplinary project with Annie Suganami and composer Nick Jones and a narrative play about the Talybont floods with Rebecca Smith Williams and Stephanie Tillotson. She is a member of all female writer-led company <b>Agent 160 Theatre</b>.<br />
Sandra runs Aberystwyth Arts Centre’s Writing for Performance Group and the Crash Test performance scratch night supporting and mentoring writers for performance.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLR_V_G97koFucnN-K9OoTlKKTvMYaFDIsz43S7qbB7DD-S3y1ZzHrUto3OSxcoK0H3tddD8fKlXI8VyCjs3BXtqQCJYaW4vuIoBQqdx1AdiIJLK6F2C3Mjy_FCefhDRdfGGlgJ4V1MYNH/s1600/sam.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLR_V_G97koFucnN-K9OoTlKKTvMYaFDIsz43S7qbB7DD-S3y1ZzHrUto3OSxcoK0H3tddD8fKlXI8VyCjs3BXtqQCJYaW4vuIoBQqdx1AdiIJLK6F2C3Mjy_FCefhDRdfGGlgJ4V1MYNH/s1600/sam.jpg" height="400" width="328" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sam Burns</td></tr>
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Sam Burns was born in Cardiff. She worked for several years as an editor for a small publishing company, and more recently as an assistant to a gardener. Her produced work includes a piece in <b>Paines Plough</b>’s <i>Come to Where I’m From</i>, ‘<i>Two Bears</i>’ for <b>Sixty Six Books</b> at the <b>Bush Theatre</b> and ‘<i>Amnesty</i>’ in <b>Agent 160 Presents Agent 160</b>. Her first full-length play, <i>Not the Worst Place</i>, was produced by <b>Paines Plough, Theatr Clwyd</b> and <b>Sherman Cymru</b> in April-May 2014, and was shortlisted for the <b>Susan Smith Blackburn Award</b> in 2011. She has also written two novels, one of which, <i>The Story Unmakers</i>, was shortlisted in <b>Susan Hill’s Long Barn Books</b> first novel competition in 2007. She lives partly in the Shetland Islands, occasionally in London and intermittently in Rajasthan, where she has a share in a camel. </div>
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<tr><td class="tr-caption" style="text-align: center;">Vittoria Cafolla</td></tr>
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Vittoria's play ‘<i>Raiders of the Lost Story Arc</i>’ premiered at the <b>Belfast Film Festival</b> in April 2011. In January 2011, her short radio piece <i>Egg-timing</i> was produced by <b>BBC NI</b> and directed by Eoin O Callaghan as part of the <b>BBC's 360 Scriptwriting Festival</b>. Vittoria often collaborates with <b>Skewiff Theatre Company</b>: <i>The Waiting Room</i> was produced during <b>The Belfast Fringe Festival</b> in late 2010, and she is currently working with <b>Skewiff</b> on an interactive piece based on the Guardian's 'The Ex Files'.</div>
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<tr><td class="tr-caption" style="text-align: center;">Poppy Corbett</td></tr>
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Poppy is a playwright and director based in London. Most recently, her play <i>Hatchling</i> won the <b>Pitch Your Play</b> competition run by <b>Masterclass</b> and received a reading on the main stage at the <b>Theatre Royal Haymarket</b>. She has had short plays produced at the <b>Soho Theatre</b>, <b>Theatre 503</b>, the <b>Old Red Lion</b>, <b>Southwark Playhouse</b>, <b>Chapter Arts</b>, <b>The Arches</b>, and at the <b>Arcola</b>. Her book, <i>The Enormous Book of Talk for Writing Games</i> (a KS2 resource for primary school teachers), was published last year. Poppy is Visiting Lecturer in Creative Writing at Royal Holloway, University of London.</div>
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That's just the first five! Throughout this week we'll be shining a spotlight on the remaining writers and spreading the word. We're excited that <a href="https://www.kickstarter.com/projects/agent160/you-can-help-make-agent-160s-fun-palace-in-wales-h" target="_blank">our Kickstarter is at <b>58%</b> and keeps growing. Every single pound that's being pledged reiterates that this project is much wanted, much needed, and very much coming alive</a>.</div>
Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-56917559597468641502014-08-08T16:44:00.004+01:002014-08-08T16:45:22.095+01:00Anna Bliss Scully—our Fun Palaces designer<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKQHQtIhvZCxYgh8zFAhB7yAllx-7yRIOcMgjspXOaQx0WKFysyj4qOCdNAEDSUJ7CPKqlmzn_zxLXBvA4ouz5JohLvaOrZG8vtlr14Gi1_PzaTKBHUeJ-lklzuG1XXfHW-5TDym257UsI/s1600/IMG_1476.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKQHQtIhvZCxYgh8zFAhB7yAllx-7yRIOcMgjspXOaQx0WKFysyj4qOCdNAEDSUJ7CPKqlmzn_zxLXBvA4ouz5JohLvaOrZG8vtlr14Gi1_PzaTKBHUeJ-lklzuG1XXfHW-5TDym257UsI/s1600/IMG_1476.jpeg" height="400" width="400" /></a></div>
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<span class="s1">Anna grew up in Cardiff. She trained in Theatre Design at Wimbledon School of Art and with the National Youth Theatre of Wales. Her designs for theatre include: </span><b>Phaedra’s Love</b>, <b>The Country<i> </i></b><i>[Nominated for OffWestEnd Best Set Design Award], </i><b>The Shawl </b>and<b> Victory</b> (all Arcola); Alecky Blythe’s <b>Cruising</b> (Bush) and <b>Do We Look Like Refugees?! </b>(NT Studio/ Rustaveli Theatre, Tblisi)<b><i> - </i></b><i>Winner of Fringe First, The Stage & Fringe Review Awards; </i><b>Fitzrovia Radio Hour </b>(UK touring,<b> </b>Edinburgh & Ambassadors Theatre)<b>; </b><span class="s1"><b>Restitution</b> (King’s Head London); </span><b>I Was a Beautiful Day </b>and <b>Ours </b>(Finborough/Tron Glasgow);<i> </i><span class="s1"><b>Practice</b> (RSC);</span><b> Over the Edge</b> and <b>Tales of Mystery & Madness</b> (Bristol Old Vic);<i> </i><span class="s1"><b>Sixteen</b> (Site Specific for SPID); <b>Cinderella </b>(Lyric Hammersmith/Warwick Arts Centre); </span><b>8 Women </b>(Southwark Playhouse); <span class="s1"><b>The Tin Horizon</b> (Theatre 503); </span><b>The Exquisite Corpse </b>(Wales Millennium Centre, Edinburgh and Southwark Playhouse); <b>Alban, The Opera<i> </i></b>(Site-specific at St. Alban the Martyr, London); <span class="s1"><b>The Container</b> (Site specific tour); <b>The Morals of Modern Day Myths</b> and <b>Buzz </b>(</span>Sherman Cymru); as well as designs for Orange Tree, Guildhall School of Music & Drama, LAMDA, East 15, Trinity School of Music, and Arts Ed.<b><i> </i></b>Anna has also worked as a dramaturge for projects at Young Vic and RSC, and for True/Fiction Theatre (of which she was Joint Artistic Director)<span class="s1">. <b>Exquisite Corpse</b>, which she also produced, was written by five playwrights including Agent Branwen Davies.</span><br />
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<span class="s1">There's more (and pictures) at www.annablissscully.com/</span></div>
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<span class="s1">Here's what Anna on her plans for designing our Fun Palace: "</span>I will create a space where members of the public can chance upon a new world; a secret story; a slip in time; a fresh perspective. It might be a car, a shed, a boat, or an area of a building they know well, but within it, the audience will find a new dimension: a space that responds to them, to its surrounding environment, and to the story we tell within it." </div>
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Agent Samantha Ellis says "We're thrilled to be working with Anna, who is hugely talented. I've been following her work for years, and loving her inventiveness, playfulness and flair. Even better, Anna loves and has worked massively with new writing, grew up in Cardiff and is a feminist, so she couldn't be more perfect as the designer of our Fun Palace. I can't wait to see what she comes up with."</div>
Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-30414200291041645752014-08-07T09:30:00.000+01:002014-08-07T09:34:29.534+01:00Announcing...our Fun Palaces playwrights<span style="font-family: Times, Times New Roman, serif;">We're thrilled to announce that the sixteen (<i>sixteen!</i>) playwrights who'll be writing plays for the Agent 160 Fun Palace are:</span><br />
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<span style="font-family: Times, Times New Roman, serif;">Sandra Bendelow</span><br />
<span style="font-family: Times, Times New Roman, serif;">Sam Burns</span><br />
<span style="font-family: Times, Times New Roman, serif;">Vittoria Cafolla</span><br />
<span style="font-family: Times, Times New Roman, serif;">Poppy Corbett</span><br />
<span style="font-family: Times, Times New Roman, serif;">Branwen Davies</span><br />
<span style="font-family: Times, Times New Roman, serif;">Abigail Docherty</span><br />
<span style="font-family: Times, Times New Roman, serif;">Clare Duffy</span><br />
<span style="font-family: Times, Times New Roman, serif;">Samantha Ellis</span><br />
<span style="font-family: Times, Times New Roman, serif;">Sarah Grochala</span><br />
<span style="font-family: Times, Times New Roman, serif;">Katie McCullough</span><br />
<span style="font-family: Times, Times New Roman, serif;">Sharon Morgan</span><br />
<span style="font-family: Times, Times New Roman, serif;">Kaite O'Reilly</span><br />
<span style="font-family: Times, Times New Roman, serif;">Lisa Parry</span><br />
<span style="font-family: Times, Times New Roman, serif;">Marged Parry</span><br />
<span style="font-family: Times, Times New Roman, serif;">Lindsay Rodden</span><br />
<span style="font-family: Times, Times New Roman, serif;">Shannon Yee</span><br />
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There were going to be fifteen of us, it's true; but we just had too many playwrights wanting to write for the Fun Palace. So sixteen it is! Watch this space for more about all of the writers in the next few days.<br />
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Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-88054166036192417022014-08-05T06:49:00.003+01:002014-08-06T11:41:25.382+01:00Help us make our Fun Palace happen!<iframe frameborder="0" height="360" scrolling="no" src="https://www.kickstarter.com/projects/agent160/you-can-help-make-agent-160s-fun-palace-in-wales-h/widget/video.html" width="480"> </iframe>
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<span style="font-family: Times, Times New Roman, serif;">We’re <a href="http://agent160theatre.blogspot.co.uk/2014/08/agent-160-is-making-fun-palace.html" target="_blank">nearly there</a>. We are working with the wonderful Wales
Millennium Centre. We have some amazing writers signed up to write plays (watch
this space for news!) and we are really happy to have some funding from Arts
Council Wales. But we need just a little bit more to make it happen. <a href="https://www.kickstarter.com/projects/agent160/you-can-help-make-agent-160s-fun-palace-in-wales-h" target="_blank">We’vestarted a Kickstarter campaign, which is here...with lots more information,too, about our Fun Palace. Joan Littlewood said “If we don’t get lost, we’llnever find a new route”; we really want to take risks with this, and we really hope you’ll help us.</a></span><br />
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Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-49352068208693554882014-08-04T14:06:00.001+01:002014-08-04T14:06:05.480+01:00Agent 160 is making a Fun Palace<div class="separator" style="clear: both; text-align: center;">
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We have news! Agent 160 is making a <a href="http://funpalaces.co.uk/" target="_blank">Fun Palace</a> at the <a href="http://www.wmc.org.uk/" target="_blank">WalesMillenium Centre</a> in Cardiff this October.<o:p></o:p></div>
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Since we started Agent 160, we have been looking for
inspiration from female theatre-makers. <a href="http://agent160theatre.blogspot.co.uk/2012_01_01_archive.html" target="_blank">Aphra Behn</a> was our first; she wasn’t
just the first woman to earn her living as a playwright but also a spy, and her
codename became our name. But radical theatre-maker <a href="http://www.samanthaellis.me.uk/2013/10/joan-littlewood-theatre-heroine.html" target="_blank">Joan Littlewood</a> has always
been in the mix as well.<o:p></o:p></div>
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We love that when she was directing Shelagh Delaney’s <i style="mso-bidi-font-style: normal;">A Taste of Honey</i>, and the critics said
Delaney was just like the Angry Young Men, Littlewood said no; Delaney was
different because she knew what she was angry about.<o:p></o:p></div>
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In 1961 Littlewood had a vision, of a Fun Palace that would
be a temporary, moveable “laboratory of fun” that would welcome everyone. It
never happened. But now, her vision is being brought to life for the 21<sup>st</sup>
century. On 4<sup>th</sup>-5<sup>th</sup> October 2014, hundreds of pop-up
local Fun Palaces will appear across the country, open to everybody, and free.<o:p></o:p></div>
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We were thrilled that the Wales Millennium Centre wanted to
make a Fun Palace with us. We launched Agent 160 in Cardiff, and have been
wanting to go back. Now, inspired by Littlewood’s boldness and joie de vivre,
we will be all over the Wales Millennium Centre—and even out in a pop-up home
in Cardiff Bay—performing new short plays in English and Welsh about all the
curious and various things women can be. And we’ll be getting members of the
public to join in and help us write a massive, group-written play, and see it
performed. See you there!</div>
Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com1tag:blogger.com,1999:blog-6249030615193001354.post-53627972249754116382013-12-14T13:19:00.002+00:002013-12-14T13:19:36.881+00:002014 Plans<em><strong>Lisa Parry writes:</strong></em><br />
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I'm currently going through a bit of an end of year tidy up, filing reports, sorting out applications, getting stuff read that I said I'd read ages ago... Agent 160 makes up a fair chunk of this paperwork. I'm writing up an Arts Council Wales report form and helping sort out plans we can't really share yet, but it's all very exciting. <br />
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2013 was a bit of a quiet year for us. The very nature of the company is that our output can ebb and flow depending on work commitments, family commitments and so forth. And 2013 was a year of babies and a huge number of productions, workshops and readings for us all individually. However 2014 is looking much more active on the 160-front. Our members have met in London and Cardiff (with Skype calls to Northern Ireland and Scotland) with a view to work next year. One of the projects is happening here in Wales and seems a perfect Agent 160 fit. <br />
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We're involved in Stella Duffy and Sarah-Jane Rawlings' plans to build a network of <a href="http://www.stratfordeast.com/fun-palace" target="_blank">Fun Palaces</a> across the country in October 2014. Myself and Samantha Ellis attended an open space event earlier in the year and we've since thrashed out our plans. Much more on this will follow, but in the meantime my blog on the day is <a href="http://www.tpfp.co.uk/2013/10/place-space-and-play-joan-littlewood.html" target="_blank">here</a> and Samantha's blog on Joan Littlewood is <a href="http://www.samanthaellis.me.uk/2013/10/joan-littlewood-theatre-heroine.html" target="_blank">here</a>. The trip and planning sessions were funded by an Arts Council Wales grant for which we're really grateful.<br />
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So here's to a fabulous 2014. Keep an eye on this blog - more content about Fun Palaces and much more besides will be added soon - and we hope to see you all in the new year. <br />
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<br />Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-45895458669492387742013-10-22T20:28:00.000+01:002013-10-22T20:28:10.281+01:00New Members<strong><em>Lisa Parry writes:</em></strong><br />
<br />
It's been a while since we've blogged but we have been busy! Projects are in the pipeline for next year and we're all very excited. In the meantime, three more playwrights have joined the Agent 160 throng. Check out their details below - you can see why we're chuffed to bits they've joined.<br />
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<span style="font-family: inherit;">SANDRA BENDELOW</span><br />
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<span style="color: black; font-family: "Calibri","sans-serif";"><span style="font-family: inherit;">Sandra Bendelow is a scriptwriter and theatre producer. Her short monologue One Hour and Forty five Minutes was produced by Dirty Protest Theatre as part of their plays-in-a-bag project at the Royal Court, Theatre Clwyd and National Theatre Wales Dirty, Gifted and Welsh. Her short audio drama Cursed was produced by Scriptography Productions for EarCandy, an audio drama project from a web-platform and her short play Split has been selected for PlayPen at Aberystwyth Arts Centre. She is currently working on a transmedia </span><a href="http://www.blogger.com/null" name="_GoBack" tabindex="-1"></a><span style="font-family: inherit;">project, Floodstain, inspired by the Talybont floods of 2012 and is producing and writing for Response Time, a performed response to art, space and environment in art galleries in Aberystwyth. Her website is </span><a href="http://www.sandrabendelow.co.uk/" target="_blank"><span style="font-family: inherit;">here</span></a><span style="font-family: inherit;">.</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT6QZ9g0tzrige2I9Ca4c0dLoz8KrFwqvVYSIzGD4e2VuxkDis6dy-rr7tfHJZHkkCRK7RctZAMYHe-g0Qnbtxjuj6VKioOeE4oos1tURwzs37dFnLrgG6ZHLHuDD-wfb3zD9HZwcYV_VP/s1600/katie.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT6QZ9g0tzrige2I9Ca4c0dLoz8KrFwqvVYSIzGD4e2VuxkDis6dy-rr7tfHJZHkkCRK7RctZAMYHe-g0Qnbtxjuj6VKioOeE4oos1tURwzs37dFnLrgG6ZHLHuDD-wfb3zD9HZwcYV_VP/s200/katie.JPG" width="200" /></a><span style="color: black; font-family: "Calibri","sans-serif";"><span style="font-family: Times New Roman;">KATIE McCULLOUGH</span></span><br />
<span style="color: black; font-family: "Calibri","sans-serif";"><span style="font-family: Times New Roman;">Katie McCullough is a graduate of Bournemouth Media School and the Royal Court Theatre, London. She's a playwright, screenwriter and also works in film festival distribution, social media, and is a campaign manager for crowdfunding projects. Her written work has been performed at many venues including the ICA, Theatre503, Southwark Playhouse, Old Vic Tunnels, Arcola and the BAC. Her website is <a href="http://www.katiemccullough.co.uk/" target="_blank">here</a>. </span></span><br />
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<span style="color: black; font-family: "Calibri","sans-serif";"><span style="font-family: Times New Roman;">SHANNON YEE</span></span><br />
<span style="color: black; font-family: "Calibri","sans-serif";"><span lang="EN-US"><span style="font-family: inherit;">Shannon Yee is a biracial writer who’s been
living in Belfast since 2004. While in NI, she has had the pleasure to work
with skewiff theatre company, Assault Events, Replay Productions,
TheatreofplucK, 25Belfast, Hanna Slättne (Tinderbox), Paul Stapleton (SARC),
and Accidental Theatre. She has received awards from the Arts Council NI, Arts
& Disability Forum and the Tyrone Guthrie Centre. Earlier this year,
Shannon secured a Wellcome Trust Small Arts Award to complete her sonic
arts/theatrical trip for an audience of one about her experience of nearly
dying and recovering with an acquired brain injury. She was on the Royal Court
Theatre’s National Playwriting Group (London), and is currently participating
in Fishamble/Pavilion Theatre’s Playwriting Mentoring Programme (Dun Laoghaire). Her website is <a href="http://www.shannonyee.wordpress.com/" target="_blank">here</a>. </span></span><br />
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</span></span>Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-1731214121868069902013-03-05T16:09:00.003+00:002013-03-05T16:09:36.524+00:00Talking About Women and the Arts<strong><em>Lisa Parry writes:</em></strong><br />
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I <a href="http://www.tpfp.co.uk/2013/02/talking.html" target="_blank">previously blogged</a> about women, theatre and the importance of debate and talking in the run-up to an Agent 160/Theatre503 panel discussion. The talk took place last week. (Apologies for not blogging about this earlier - things have been a bit hectic.) The discussion, after a performance of Desolate Heaven, was really inspiring and - I hope - productive. Theatre503's rather brilliant producer Flavia Fraser-Cannon chaired and the other panellists were:<br />
<ul>
<li>Rebecca Atkinson-Lord, co-director of London's Oval House Theatre</li>
<li>Honour Bayes, freelance theatre journalist</li>
<li>Pia Furtado, director</li>
<li>Amber Massie-Blomfield, principal consultant at Borkwoski.do</li>
<li>Erica Whyman, deputy artistic director at the RSC </li>
</ul>
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What was great about this discussion was the range and depth of experience of the panellists. In other talks Agent 160 has produced, we've focussed, understandably, on playwriting. Here, the scope was wider. The panellists touched on the current position of women in the contemporary art world and spoke about women in theatre criticism and PR. What was fascinating for me however was listening to female directors speak, because their experience was relevant to the debate in two ways: firstly as women working in theatre and second, as the commissioners of playwrights.<br />
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There was a consensus that we're crying out for new (funded) research. The Sphinx data (the much quoted 17 per cent figure) desperately needs updating and even though the arts councils have all been supportive of the idea of research, cash to fund it has yet to appear. <a href="http://www.guardian.co.uk/news/datablog/2012/dec/10/women-in-theatre-research-full-results" target="_blank">Recent research</a> from The Guardian only looked at the top ten funded theatres. The panel were therefore keen to stress some of their observations were anecdotal; however there did seem a consensus that whereas other areas in the arts had improved in terms of gender balance over time, playwriting itself had stalled.<br />
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A consensus was reached that to help overcome this a two-pronged approach might be needed. Women need to be confident to compete with their male peers; but also, as an industry, we need to be less ready to assume that there is only one way - the bolshy way - things should be done. Often the more considered approach frequently employed by women is better. Erica Whyman told how a female writer recently emailed the RSC once she had gone through her notes. She compiled them and sent a 'just checking - did you mean this?' email which they all thought was time saving and brilliant. Rebecca Atkinson-Lord told how, when giving notes, it was often the male writer who would immediately agree and come back with a draft, whereas a woman would go away and consider the notes more. Although the drive for a production that sees swift agreement can result in work, consideration can often result in a better draft.<br />
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Honour Bayes spoke about how important she considered mentoring and how important it had been to her in her career. Ageism and what happens after the emerging label has been exhausted was also touched on. Erica Whyman said how one of the best pieces of advice she'd ever been given was simply not to go away. We discussed the gender ratio in public relations and the differences experienced by men and women when making the leap from assisting to directing productions in their own right. Erica Whyman told a story about how she sent a male and a female for the same job and the man was asked: 'Don't you think it's time you stopped assisting now?' The woman was asked: 'Is there anyone left you'd like to assist?' Bias is there and we need to overcome it. <br />
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A real feeling came through the discussion that female directors weren't encouraged to take that leap; that women in the arts generally were encouraged to play it safe. One recent graduate in the audience told how, when she said she wanted to direct, she had been told to do theatrical admin for a while - a comment which drew pretty strong advice from the panel.<br />
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No blog post can really do the talk justice. It was a brilliant and informative evening. A huge thank you to Theatre503 and Flavia for having Agent 160 on board with this and helping us continue the debate. <br />
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<strong>This blog post also appears at <a href="http://www.tpfp.co.uk/">http://www.tpfp.co.uk</a></strong>Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-65398207525821575982013-02-21T09:45:00.001+00:002013-02-21T09:45:27.788+00:00Talking<strong><em>Lisa Parry writes:</em></strong><br />
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Last year, when <a href="http://agent160theatre.blogspot.co.uk/" target="_blank">Agent 160</a> launched, we held panel discussions at each venue discussing women and theatre. At the end of the session in Glasgow, one of the panellists said she hoped we wouldn't continue hosting such talks. She'd been doing them for years. She didn't think they helped. The most important thing, she said, was to get work by women onto the stage.<br />
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At the time, I completely agreed. I thought the talks were important as part of the launch but I didn't feel they were a huge part of our work. And I still do agree that getting plays written by women on is more important. But in terms of hosting the talks themselves? I've since changed my mind.<br />
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Why the change? A comment from a playwright-friend of mine along the lines of: "That's all very well, but our generation wasn't around for those talks. Maybe we need to have them too." And I think we do. Talking, debate and discussion is never a bad thing. Progress isn't always linear. Sometimes topics need to be revisited and reassessed according to the current climate.<br />
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And progress can be made through talking. A few months back, I attended <a href="http://www.devotedanddisgruntled.com/" target="_blank">Devoted and Disgruntled</a> at Sherman Cymru in Cardiff. It was refreshing to see thoughts and opinions changing when it became clear that what people thought was happening on the ground, wasn't; that the presumed situation wasn't the actual one; what people thought playwrights wanted wasn't in fact what they did want. So too with the women and theatre debate - some people have said they think the problem isn't in fact with commissioning, but with a failure to deliver final drafts. Others have voiced concern that women directors don't want to work with women writers for fear of being pigeonholed. Debate - talk - opens up detailed arguments that need to be worked through for sustained change. Sometimes sweeping change is needed and welcome. But for real sustained change that will last decades and improve the social lot, the devil is pretty much always in the detail. And the detail tends to come up in extensive conversation.<br />
<ul>
<li>Agent 160 is co-producing the talk Women and the Arts at Theatre503 on Wednesday, February 27. </li>
<li>The discussion will take place after that evening's performance of Desolate Heaven and will last about an hour. </li>
<li>Other panellists include Rebecca Atkinson-Lord (co-director of Oval House Theatre), Amber Massie-Blomfield (principal consultant at Borkwoski.do), Pia Furtado (director), Honour Bayes (freelance theatre journalist). </li>
<li>To book, visit <a href="http://www.theatre503.com/">www.theatre503.com</a> or telephone 020 7978 7040.</li>
</ul>
Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-8419477954280190012013-02-17T12:59:00.001+00:002013-02-17T12:59:25.802+00:00February 21st Writers' Night at The Bush: Money the game show<br />
Dear Agent 160 friends, below are some links and pictures for my play <i>Money the game show</i>, on at The Bush till the 9th March.<br />
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On the 21st February, so next Thursday, there's going to be a 'writers' night' with the actors Brian Ferguson, Lucy Ellinson and me, chaired by the amazing Selma Dimitrijevic, dramaturg at The Bush. We're going to talk about dramatising contemporary political issues and events. I might talk a bit about writing non-gendered roles as a feminist strategy, as the end of <i>Money </i>is scripted for the 'Loser' and 'Winner' rather than the female and male characters 'Queenie' and 'Casino'. I'll definitely be mentioning Agent 160. I think we'll also be talking about the role of actors/performers in the process of directing your own work. If any of that sounds of interest it would be great to see you there. Clare x<br />
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<strong><span style="font-family: arial, helvetica, sans-serif; font-size: 12pt; line-height: 20px;">MONEY the game show - praise from the press:</span></strong></div>
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<span style="font-family: arial, helvetica, sans-serif; font-size: 10pt;">'<strong>'This playful, thoughtful and riotously entertaining piece is right on the money',</strong> </span></div>
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<span style="font-family: arial, helvetica, sans-serif; font-size: 10pt;"><img border="0" height="13" src="http://www.uploadlibrary.com/TheBushTheatre/Templates/images/FourStars.gif" width="85" />The Guardian.</span></div>
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<strong><span style="font-family: arial, helvetica, sans-serif; font-size: 10pt;">'Engagingly explores the build-up to, and the aftermath of, the 2008 financial catastrophe',</span></strong></div>
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<span style="font-family: arial, helvetica, sans-serif; font-size: 10pt;"><img border="0" height="13" src="http://www.uploadlibrary.com/TheBushTheatre/Templates/images/FourStars.gif" width="85" />Financial Times</span></div>
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<span style="font-family: arial, helvetica, sans-serif; font-size: 10pt;">'</span><strong><span style="font-family: arial, helvetica, sans-serif; font-size: 10pt;">'Hilarious and tragic...the writing glitters',</span></strong></div>
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<span style="font-family: arial, helvetica, sans-serif; font-size: 10pt;"><img border="0" height="13" src="http://www.uploadlibrary.com/TheBushTheatre/Templates/images/FourStars.gif" width="85" />The Scotsman.</span></div>
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<span style="font-family: arial, helvetica, sans-serif; font-size: 10pt;"><em><strong><strong><span style="font-size: 10pt;"><span style="font-size: 10pt;">'</span></span></strong></strong></em><strong><strong><span style="font-size: 10pt;"><span style="font-size: 10pt;">Think Deal or No Deal but 100 times more entertaining</span></span></strong></strong><em><strong><strong><span style="font-size: 10pt;"><span style="font-size: 10pt;">', </span></span></strong><span style="font-size: 10pt;"><span style="font-size: 10pt;">A Younger Theatre</span></span></strong></em></span></div>
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<span style="font-family: arial, helvetica, sans-serif; font-size: 10pt;"><a href="http://bushtheatrenews.co.uk/_act/link.php?mId=J8394494387953446039346443116&tId=139579333" style="color: #0068cf; cursor: pointer;" target="_blank"><em><strong>MONEY the game show</strong></em></a>, by Clare Duffy, is into its 3rd week at the Bush and delighting critics and audiences alike, who have been getting stuck into gambling with the £10,000 loot on our stage.</span></div>
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<span style="font-family: arial, helvetica, sans-serif; font-size: 10pt;">Due to demand, the show is extending until <strong>9 March</strong> - giving you even more chances to catch it - but book quick as performances are filling up.</span></div>
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Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com0tag:blogger.com,1999:blog-6249030615193001354.post-49630644110779189132012-11-01T10:24:00.000+00:002012-11-05T09:47:47.658+00:00Agent 160 in Belfast: Panel & Workshop<br />
<span style="font-family: "Trebuchet MS",sans-serif;">On October 25th, the day after the shows ended, Lunchbox & Agent160 held two events:</span><br />
<span style="font-family: "Trebuchet MS",sans-serif;">The first was a workshop exploring how to perform being a female playwright. The aim of the workshop was to unpack what we think, assume, hope and fear being a woman and a playwright is and creatively explore the tricky, fruitful and sometimes paradoxical relationship between the two. Agent160 Writers, Ioanna Anderson & Clare Duffy asked: <i>'If you are a woman who writes, how do you feel about being a 'female playwright'?</i></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">What the participants had to say about the events:</span><br />
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i>Inspired me to write more</i></span></span></span></blockquote>
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i>I found both events very encouraging and inspirational as well as being realistic about the challenges that can be met in getting work produced. The workshop was very enjoyable. It didn't provide new methods of writing for those attending but I don't think that was the aim of the workshop. It did promote discussion in an open forum and encouraged sharing of experiences and writing, promoted confidence and networking within the group of female writers.</i></span></span></span></blockquote>
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i>The panel was incredibly informative. Hanna kept a great focus and I was inspired by each of the speakers</i></span></span></blockquote>
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i>I found the event very informative. Interesting to have heard from those involved in different aspects of theatre across the UK/Ireland.</i></span></span></blockquote>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizTX4Z91Ulx_4HRpEdGb0odPgLPTNsL5so9BwXIQgzykzFyn-CRhLTeQIO6Ll_Vg-Ovg7MHf4U-f3I670TyFREv4w7csyHIDlCzD0m-4iUU_rW-Xpsw4lRsvuMUKQoMZpu0-MJpj3TLODN/s1600/2012-10-25+11.18.49.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizTX4Z91Ulx_4HRpEdGb0odPgLPTNsL5so9BwXIQgzykzFyn-CRhLTeQIO6Ll_Vg-Ovg7MHf4U-f3I670TyFREv4w7csyHIDlCzD0m-4iUU_rW-Xpsw4lRsvuMUKQoMZpu0-MJpj3TLODN/s200/2012-10-25+11.18.49.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGjhcLOutRdMhfvbo8aR1UTdZ1aybFzm4WdzrV-35lk1hrspanMdlxBBgXDYtRpMdkPJxWN_KGFTfa9hNvfv4rX9TlL18bAsw14qmObFQshUCMiQBmOErQizCP3wwX6iUw75AuKhokw6nq/s1600/2012-10-25+11.18.41.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGjhcLOutRdMhfvbo8aR1UTdZ1aybFzm4WdzrV-35lk1hrspanMdlxBBgXDYtRpMdkPJxWN_KGFTfa9hNvfv4rX9TlL18bAsw14qmObFQshUCMiQBmOErQizCP3wwX6iUw75AuKhokw6nq/s200/2012-10-25+11.18.41.jpg" width="200" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgngV5veEwPzgp8iqBl7THd-kzWicYmfyN8bM_57F2OAIy_mi_mLK4B6XTGlOrU24sipglqffKgEz4AZ1omcmedroMJI3IVZbNDgESQL3wNTuWoA6a0DW3nchQaRU0IjR25aL-JZ47hkEjI/s1600/2012-10-25+11.27.06.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgngV5veEwPzgp8iqBl7THd-kzWicYmfyN8bM_57F2OAIy_mi_mLK4B6XTGlOrU24sipglqffKgEz4AZ1omcmedroMJI3IVZbNDgESQL3wNTuWoA6a0DW3nchQaRU0IjR25aL-JZ47hkEjI/s200/2012-10-25+11.27.06.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Clare Duffy (Agent160) </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPzK0Sdlimqd9sJQUKGeVzMpdNYEeQCOrZDuk6vOYDV9eW14Pp9VQC5CHpLaVzYKopkR9kBCnau9ib7xwz1kxEwHpFNORrYNeEsFlVdlCqQwz3BG77J2Bn-Iaia79YbTeuT6v-XSzGZbm1/s1600/2012-10-25+11.32.23.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPzK0Sdlimqd9sJQUKGeVzMpdNYEeQCOrZDuk6vOYDV9eW14Pp9VQC5CHpLaVzYKopkR9kBCnau9ib7xwz1kxEwHpFNORrYNeEsFlVdlCqQwz3BG77J2Bn-Iaia79YbTeuT6v-XSzGZbm1/s200/2012-10-25+11.32.23.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ioanna Anderson (Agent160) </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIZV4CLhtmeti0Cd7jIneYzFxe3tWZ7J6mvllMoT7C0iAY88VyvnjvjpjljuVGigZF0LdqmxCV7f2mjhF-v3ZsVz20B_EIKyDarT3Qvu2_avPUcNDxmkeoCMzMN9DkcpBpVyQF5bJVLATO/s1600/2012-10-25+11.37.35.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIZV4CLhtmeti0Cd7jIneYzFxe3tWZ7J6mvllMoT7C0iAY88VyvnjvjpjljuVGigZF0LdqmxCV7f2mjhF-v3ZsVz20B_EIKyDarT3Qvu2_avPUcNDxmkeoCMzMN9DkcpBpVyQF5bJVLATO/s320/2012-10-25+11.37.35.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Workshop participants Playwright Shannon Yee, Director Mary Lindsay, and screenwriters Christine Morrow & Elvina Porter</td></tr>
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</span> <span style="font-family: "Trebuchet MS",sans-serif;">This was followed by a panel, chaired by Hanna Slattne of Tinderbox, Belfast, with the aim of discussing women in the Irish Theatrical Landscape.</span><br />
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">The Panel members were:<br />
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i><b>Hanna Slattne, (Tinderbox, Belfast), Richard Lavery (Accidental Theatre, Belfast) Suzanne Bell (Royal Exchange, Manchester) Alice Coghlan (Wonderland Productions, Dublin) Andrea Montgomery (TerraNova, Belfast)</b></i></span></span><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><b> </b></span></span><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i><b>Louise Stephens Alexander (Agent160)</b></i></span></span><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><b> </b></span></span><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i><b>Aislinn Clarke (Wireless Mystery Theatre & Fickle Favours) </b></i></span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i><span data-mce-style="text-decoration: underline;" style="text-decoration: underline;">Topics: </span></i></span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i>1. Does the 17% Figure applies to Northern Ireland: & Suzanne & Alice how they are doing in their parts of the world?</i></span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i>2. Aislinn and Louise: setting up new companies focussing on female practitioners. What were the main reasons behind it? </i></span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i>3. Richard and Andrea's experiences, both in setting up their own companies and how they work with women writers. </i></span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i>4. Has the abundance of female theatre makers contributed to the healthy figure that we have? </i></span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i>(i.e. Does the gender of the director make an impact? the gender of development teams? And from the writer's p.o.v. - Is there a pressure to write in a certain way, about certain issues, - Is there a female aesthetic? )</i></span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;"><i>5. Winter is coming,( i.e. cuts) - how can we protect that figure? why is it so important to keep the figure up? </i></span></span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo6H4vhcZ279KQXFpgMABx67hboMBZXyBwa1_QDrkosSnzjuRvlBaknqo4dNgz9nPX6anRqxK9UY6jabMMxS1UDSI8kAp_t6XKNcXSpum4nKGEuiqPTiPZ1IjlTaz3hCTGAf3W_ljaXgfU/s1600/A6DRX8iCMAEMtQY.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo6H4vhcZ279KQXFpgMABx67hboMBZXyBwa1_QDrkosSnzjuRvlBaknqo4dNgz9nPX6anRqxK9UY6jabMMxS1UDSI8kAp_t6XKNcXSpum4nKGEuiqPTiPZ1IjlTaz3hCTGAf3W_ljaXgfU/s320/A6DRX8iCMAEMtQY.jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Panel in full swing</td></tr>
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Hanna Slattna very kindly offered to chair the panel: and started off by addressing the question of; is Northern Ireland the same as the rest of the UK? Do we only produce 17% of female authored work on our stages? </span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">In fact , NI is doing well- A 50% commission & production rate of women's plays. However of Hanna's incoming scripts only 20% are from women. </span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Suzanne told us that in the 1st Bruntwood – which worked on an anonymous submissions policy – the scripts were 80% male authored:. Now after pushing, it has risen to 50/50- The rise in female submissions is now reflected in winners as well. </span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Alice, working for the Abbey Theatre,in Dublin, stated that 23% of unsolicited scripts were from women and that 31.5 of new commissions in the abbey this year were female authored .However, she describes the abbey's programme jokingly as 'men, men, men and Marina Carr" Using information provided by the Irish Theatre institute, it would seem that of the new plays produced in 2010-211 (Both original & adapted) the figure stands as 29 % (However, this could be slightly inaccurate: no research of this kind has been undertaken to date in the republic.) </span></span></span><br />
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Moving on to the rationale behind setting up Agent 160 , Louise said it had been as result of a combination of things: the Vamps Vixens & Feminists conference at the Sphinx theatre in 2010 & the fact that Lisa Parry (Agent160 AD) was seeing some good women's work at the time. Just not enough of it. She had then begun thinking about setting up a company of Female playwrights. Aislinn (Fickle Favours) after chatting to actress colleagues and seeing that in her own productions at Wireless Mystery theatre, there were not enough plays produced with challenging strong roles for women, including in the classical repertoire. She wanted to get away from the t</span></span><span data-mce-style="font-size: small;" style="font-size: x-small;">endency for people to think of women's writings as a 'genre'- and to create a platform for just 'good theatre. ' She wanted to be able to include actresses and writers of all ages, using the Agent160 short </span><span data-mce-style="font-size: small;" style="font-size: x-small;"><i>Nancy</i></span><span data-mce-style="font-size: small;" style="font-size: x-small;"> as a great example of a strong piece both in writing terms & as a role for an older woman. </span></span><br />
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Richard Lavery From Accidental Theatre said that when he first put a call out for scripts, just 10% were from women- but that in interestingly, he'd found an large increase of expression of interest from female directors, something that is reflected in their productions this year.</span></span><br />
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Hanna mentioned that to get their figures up, Tinderbox set out to address the gap<b> 8 yrs ago</b>-when she first joined the company- she had to form a strategy, one of which was creating projects to work with women. She said that she could not leave it to random chance: this was something that all companies would have to undertake to avoid.</span></span></span><br />
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Aislinn thinks the problem is deeper than that: why are young women not thinking <i>'I could be a playwright?'</i> She thinks no one in schools/ thinks of playwrighting/directing as a career: An audience member agreed, saying that there were not enough female dramatists on the school curriculum. Vittoria (Agent160) pointed out that in her research for the panel, she had noticed that Educational theatre companies in the republic of Ireland, only one had a female authored play in their repertoire, and when looking at companies doing classical plays there were none by women- understandably since it's not on the curriculum, but she wondered why someone like Aphra Benn wasn't ever mentioned at school. </span></span></span><br />
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Andrea Montgomery talked about how studies of sociological/psychological analysis of gender and speech have shown a difference in the way that women put themselves and their work forward- that many women had a culture of<i> 'I put me down, you pull me up' –</i> Suzanne agreed, saying that it was perfectly reasonable for a man to come into a meeting saying 'this is a great script, - it's fantastic etc” whereas if a woman did the same, even other women would be taken aback. </span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Aislinn said she also found this as a female director: one was supposed to act in a certain way. Suzanne pointed out that female linguistic structure and male linguistic structure were distinctly different- something that Andrea backed up. With Terranova, she works with women in many different countries- She spoke about how important is to remember cultural differences affect women's voices also: working with women in Tehran, she found their voices and ideas very different than say somewhere like Hong Kong. </span></span></span><br />
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Suzanne noted that while, 67% of audience are women- they expect male stories, and wanted to pose the question to the panel and audience: Why is there a lack of exploration of female sexuality on stage? </span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">An audience member pointed out - women are punished for being sexual in plays. The panel thought that was no reason not to show it: Both Hanna-& Suzanne- emphasized that you should write what you <i>want</i> to write- Write passionately- not what you think a certain theatre wants, or doesn't want. Hanna mentions that she finds when it comes to sexuality , she sees that female writers censor themselves. Is it Cultural? The conversation came back to schools and kids- and what they see both at school & in society- & to help change the perceptions we need to make sure that the younger generation don't just watch the same old dramas. Alice and Hanna have both done scriptwriting workshops with children: Alice said that if you get the kids around age 8-10 they are super confient- the seeds could be sown then. </span></span></span><br />
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<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Andrea bought up what she sees as the main problem in NI: As a member of NITA (NI Theatre Association) she is struggling to communicate to politicians of benefits of theatre -it's seen as a hobby - theatre not regarded as 'professional' An audience member seconded that, recounted countless mentions of others to her work as 'her wee play” </span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Hanna pointed out that the press were not overly interested in theatre here: that that would have to be addressed to combat that issue. </span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Alice found that surprising, describing the audiences in Northern Ireland as much more engaged than in Dublin. From the outside it looks like a buzzing scene.</span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"> <span data-mce-style="font-size: small;" style="font-size: x-small;">How do we keep the figure up at it's current level? Hanna suggested that it was the bigger funded companies responsibility to do so and set the standard for others to follow. </span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">In conclusion:</span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">Hanna says -stop being polite- do not censor yourself. Claire Duffy (A160) says- just be prepared to be slapped down in the process, but get up & keep going! </span></span></span><br />
<span style="font-family: Verdana,sans-serif;"><span data-mce-style="color: #000000;" style="color: black;"><span data-mce-style="font-size: small;" style="font-size: x-small;">To which Hanna added- target the right company when sending your work! Andrea noted the importance of 'allies' in the theatre world- in Northern Ireland, the theatre network is very strong- so use it. Suzanne, agreed, adding that once you do have allies in the theatre industry they are very loyal, and tend to stay that way. </span></span></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">So proud of our actors and directors, and thrilled with the response we had to the pieces: there's a 4 star review <a href="http://www.belfasttelegraph.co.uk/entertainment/belfast-festival/reviews/sisters-are-doing-very-well-for-themselves-16229642.html" target="_blank">here:</a> </span><br />
<span style="font-family: "Trebuchet MS",sans-serif;">We are also very grateful to have had support from The Belfast Festival at Queens, The Black Box, Belfast Film Festival, The British Council, and Belfast City Council and from the many people who contributed through Fundit as well as everyone who came down to the shows- Thank You!</span>Agent 160 Theatre Companyhttp://www.blogger.com/profile/07938927261422459343noreply@blogger.com1